The house is cleaned up for Christmas, which means all the sewing things have been put away, which is rather sad. Cassandra is banished to the basement, fabric stashed and stacked. It’s only ten days: better if I don’t count all that lost time when I could be pleating! Better to finish up some portable plain sewing, like shift and shirt.

On Friday, I spent part of the morning in the Cave of Wonders known as Textile Storage with a historical costume expert who specializes in men’s clothing. He had already promised to leave and sworn not move in before I opened the door, and that was probably a good thing. But I got a chance to ask some questions and here are the answers.

The frock coat tail linings of calendered linen: Nancy wanted to know if they didn’t stick to men’s breeches, linen catching on broadcloth, in the plainer suits. No, my source says, because the linings were slick. That was the point of the glazing. When it was new and fresh, it was much slicker than it is now. After 220+ years, slickness will fade. Calendered fabric has been pressed and heated, and that process makes it slick. If you’ve ever pressed a wool dress with too hot an iron, you might have achieved a glossy, slick finish that you weren’t expecting. Calendering is similar, but on purpose.

And then there’s padding. Sabine made an amazingly beautiful jacket based on an original. The lining is really interesting, because it is padded. Well, that padding is about style. In the plate at left, the shoulder line of the jacket is high, and the collar rises up as well. The chest is rounded, as we can see along the side. The way to achieve that look is through tailoring, including the use of padding.

The militia jackets in the collection at work include one with some pretty intense (several inches thick) padding in the front. That was for line, not repelling bullets, or even so much for warmth. The padding we find in men’s and women’s tailored clothes is about style, and maintaining a line. You’ll see this often in women’s riding habits or “Amazones.”

On pages 160-161 of Nineteenth-Century Fashion in Detail, there are two examples of padding used to shape garments. The first is a riding habit, seen here in detail and in overview. (Click for the record & larger views.) The padding here has been used to create the smooth, conical silhouette.