Tag: women’s work

Mopping Up

On By kittycalashIn Living History, making things, Research, Uncategorized4 Comments
A City Shower. Oil on canvas by Edward Penny, 1764. Museum of London
A City Shower. Oil on canvas by Edward Penny, 1764. Museum of London

Springtime sadness is best remedied by scouring[1], so in the best Scandinavian fashion, I have been looking into 18th century cleaning. Dem barracks, right?

First of all, were you wondering about what exactly they “smoked and cleansed” smallpox victims’ rooms with? Brimstone and frankincense.[2] Now you know what Edward Langford would wake up smelling when the house next door was free of smallpox.

But what about those floors? They need to be cleaned. Swept, yes, and scrubbed with sand. But also mopped, and the doorstep mopped.

Tit for Tat. stipple etching, London, Printed for R. Sayer Map, Chart & Printseller N° 53 Fleet Street, as the Act directs Novr 24. 1786. British Museum 1861,0518.958
Tit for Tat. stipple etching, London, Printed for R. Sayer Map, Chart & Printseller N° 53 Fleet Street, as the Act directs Novr 24. 1786. British Museum 1861,0518.958

I have a broom and a whisk broom, and can substitute a kettle for my sad bucket[3] but I lack a suitable mop. Lack never deterred me, whether of skills, knowledge, or supplies, so off to the interwebs and library I went.

I started with Foul Bodies, the 2009 monograph by Kathleen M. Brown. Nothing on floors, sadly.

I remembered the 10th Massachusetts Orderly book from 1782, that was more helpful.

Some part of the Camp and about the long Barracks in particular is relaxing into nastiness. Regimental QuarterMasters have been ordered to have them Clean and keep them so. An Officer of each Company has been ordered to visit the Barracks every day and to Confine & Report those who throw bones of meat Pot Liquor or filth of any kind near the Barracks. Yet all this has been done and no report has been made. it is hatefull to General Howe to Reitterate orders as it ought to be shamefull those who make it necessary.

The Unfortunate Beau, etching, Publish'd as the Act directs 12th Sept 1772, by S.Hooper, No.25 Ludgate Hill. British Museum 1991,1214.20
The Unfortunate Beau, etching, Publish’d as the Act directs 12th Sept 1772, by S.Hooper, No.25 Ludgate Hill. British Museum 1991,1214.20

Nastiness. Those barracks sound noisome, don’t they? We can’t have that.

So let’s cast out the bones, sweep the floors of the branches and dirt and grit the men have brought in, and mop them, too, now that it’s spring.

Mop, you say?

What did mops look like the in 18th century?
And how on earth will we acquire one?

Tune in next time for another exciting installment of “historical cleaning instead of cleaning my own house.”

 

 

[1] Dude, I have scrubbed baseboards with a toothbrush. Not one of my finer moments, but a memorable one.

[2] Kathleen Brown, Foul Bodies: Cleanliness in Early America. (New Haven: 2009) p. 129

[3] Really really: I meant it when I said keep the bucket wet.

Small Obsessions

On By kittycalashIn Uncategorized6 Comments

IMG_5625Some of you may recall that I am a recovering artist with a fairly constant need to keep my hands busy. To encourage industry and the domestic arts, and to keep me out of trouble generally, a thoughtful friend provided me with a start to furnishing an early nineteenth century-style paint box. They’re hard to come by, these paint boxes, and extant examples fetch far more than we can afford chez Calash, being in somewhat reduced circumstances of late.

Thomas Reeves & Son Artists watercolor paint box c. 1784 to 1794. Whimsie Virtual Museum of Watercolor Materials
Thomas Reeves & Son
Artists watercolor paint box c. 1784 to 1794. Whimsie Virtual Museum of Watercolor Materials

Researching paint boxes and miniature painting in the early Federal era has been a happy fall down a deep rabbit hole. It’s clear that Reeves watercolors were being sold in Providence in the early 19th century; Peter Grinnell & Sons include “Reeves watercolor boxes” among the extensive list of items for sale in an 1809 newspaper ad. Frames and cases were also to be had; John Jenckes, gold and silver-smith and jeweler, advertised gold miniature cases in 1800.

Distraction is always easy to come by, tunnels leading from main entrance to the warren. Painting manuals, scholarly articles, and extant examples, which prove most distracting of all. SO shiny.

George Catlin Artist: John Wood Dodge (1807–1893) Date: 1835 Medium: Watercolor on ivory Dimensions: 2 3/16 x 1 13/16 in. (5.6 x 4.6 cm) Classification: Paintings Credit Line: Rogers Fund, 1926 Accession Number: 26.47
George Catlin byJohn Wood Dodge, 1835, MMA 26.47

Searching the Met’s collection, I found a portrait of George Catlin, remarkably similar in pose to an image of a friend I considered copying, but had thought too modern. My assumption has been proved wrong, and I am delighted. And then I found the HIDEOUS checked neck wear, always distracting. Historic New England provided super-tiny-bowtie man, and then I really had to focus, since I’m only enabling, not making, neck wear.

My real focus, of course, is on female miniaturists, especially in Rhode Island (gallery of RI miniatures can be found here.) From the scant number of women I’ve found advertising in the local papers, (okay, two: Miss Mary R. Smith, in 1820, and Mrs Partridge in 1829) I’ll have to expand my search geographically. Nantucket Historical Association had an image attributed to Anna Swain, and ten attributed to Sally Gardner.

Eye

The Met, repository of so many wonders, has works by six women miniaturists, including Sarah “Wowza” Goodridge and Anna Claypoole Peale. For all we know, some of the works by unidentified makers might be the work of female painters. The extant miniatures in all collections, range in quality from excellent to amateur, giving hope to those of us unpracticed in portraiture, and regaining our hand.

Lysistrata on the Lake (and elsewhere)

On By kittycalashIn Fail, History, Living History, Philosophy, Reenacting7 Comments

Let me be clear: Fort Ti was amazing. It was everything I’d hoped for. Far away, made of stone, populated with people I like, with an event cleared of all the crap that makes me crazy.

File_000 copy

The issues that enrage me are both societal and hobby-specific.

While boys were boys and women were women this past weekend, I found myself tired out by biologically deterministic behaviour. For the love of Christ, you can listen to a woman, not talk over her or interrupt her even if:

a) she is not your boss or mother
and/or
b) you do not want or expect to sleep with her.

Gentlemen: we are human beings as smart as- if not smarter– than you. If we are smarter, society has taught us to manage that for you, so you won’t feel <ahem> small. I know that what men fear most is humiliation (the bravest ones will admit it) and what women fear most is violence (it’s true).

But a woman’s interest in history, or even military history, should be as joyous to you as your male friend’s interest.

So why the shouty?
Why the taking over of the conversation?
Why the relegation of women to a separate bench?
Why am I pointing this out?

Well… because even some of the best progressive reenactors have trouble getting past uber-traditional gender roles.

I get it, really, I do. I am accustomed to being a woman in a (hyper manly) man’s world.

I studied sculpture in college in the Dark Ages and I know from male-dominated fields. I ran a foundry in grad school, and a bunch of mostly-male work study students. I’m an owner’s rep for construction projects, and work with a lot of different contractors and construction workers.

But that doesn’t mean I have to like it or tolerate it, as any of my history, art, or construction associates will tell you. My younger counterparts have even less tolerance than I do, so I advise you to listen up, think about gender roles, gun shows, assault/predation and interpretation or consider Lysistrata the future you have earned.

It’s really simple.

You like living history?
We like living history.

Francis Wheatley, 1747-1801, British, Soldier with Country Women Selling Ribbons, near a Military Camp, 1788, Oil on canvas, Yale Center for British Art, Paul Mellon Collection
Francis Wheatley, 1747-1801, British, Soldier with Country Women Selling Ribbons, near a Military Camp, 1788, Oil on canvas, Yale Center for British Art, Paul Mellon Collection

Let’s play together better to more accurately represent the past without replicating crappy gender relations. If you start listening and stop interrupting, we’ll stop laughing at you.

Fort Moonrise Kingdom

On By kittycalashIn Events, History, Living History, Reenacting2 Comments

Fort Ti was described to me as “Disney World for Re-enactors,” but my vote is for Living History’s Moonrise Kingdom.

Idyllic, ain't it?
Idyllic, ain’t it?

I almost didn’t go when my Saturday night roomshare cancelled on Monday and then I developed an ear ache on Wednesday, but on Thursday, Low Spark , Mlle Modiste and I arranged a carpool, so on Friday morning, a Carload of Rhode Islanders (a thing to behold and to be wary of) set off for points north.

Our initial plan was to to sleep in the soldiers’ huts, but they proved extremely crowded and smokey, so when Mlle Modiste and I were offered a bunk in the barracks, we took it… unfortunately, only one of the blankets I’d brought for us did not make it back up to the fort or into the car heading home.

Mlle Modiste at the huts
Mlle Modiste at the huts

Before supper, we stuffed bed ticks, started a fire, startled a bat (I was not the source of the shriek that brought officers, women, and soldiers running), and stuffed straw in the hole we thought it flew into (thank goodness I’m tall, I guess).

Smoke didn't just get in your eyes...
Smoke didn’t just get in your eyes…

The tavern moved up to the would-be armory at the barracks, though I’m certain multiple political deals and presidential candidacies could have been plotted and bought down at the smoke-filled huts. Instead, it was reenactor politics as usual: parallel experiences for men and women (not ladies, thank you, and if I hear you use “distaff” about me, expect to find one has become part of your anatomy). Just because I’m used to it doesn’t mean I don’t notice it, understand it, and still dislike it.

We’d expected to attend to “sick” soldiers in the hospital, but Saturday was such a lovely day that we spent most of it outdoors, starting and tending a fire to boil laundry and make dinner for the women’s mess. This pleased me mightily, even as I may have distracted troops despite my advanced age as I crouched at the fire being a human bellows. You try getting low in stays and see how you do: immodesty, thy name is fashion.

While I kept the fire going, much credit should go to Rory, a bad-ass woman in men’s clothing who split wood a-plenty for us.  Rory made me want badly to make myself a suit and wield an axe. I find myself wanting to do the same work as the men (I have always been this way), and I was intrigued by the debate that was reported to me: should a woman do men’s work in women’s clothes, or in men’s clothes? In the end, they chose men’s clothes, and Rory wore them well. Reader: I was jealous. I was also covetous of an axe, having realized all the cutting and hewing tools are no longer domiciled with me.

Aunt Kitty's coming' for you. boys.
Aunt Kitty’s comin’ for you, boys.

Saturday really revolved around three things for me: food, free agency, and feminism:

  • I ate some interesting things, including a smoked chocolate cake (left overnight in a hut, I can describe its flavor best as sucking diesel exhaust through a chocolate cupcake).
  • Now that I’m a free agent attending events sans unit, I have much more fun.
  • I am determined and dedicated to effecting well-researched roles for women in living history events of all kinds.