The Dirt on Ti

On the road in: dirt.
Seen on the way in to Fort Ti: dirt. (Kitty Calash photo)

The dirt on Fort Ti came home on my shoes. And my petticoats. And my gown. And possibly my face, which could explain the reactions I got when I stopped for gas on the Pike Saturday evening.

It’s incredible how how dirty, dusty, and straw-filled a room can get– and that’s just the officer’s room. For all I know, a horse had been sleeping in the back corner of the barracks room we cleaned– who else would leave so much straw?

Regular readers know I have a thing about portraying women’s work in the past, as well as historical cleaning methods and what I like to call “experimental archaeology” and other people call “that crazy hobby- thing- where you get cold and dirty.” We started with mop making, of course, and when I loaded the car on Friday morning, I was pretty well pleased with my swag.

So, what happened? How did it go? What did we do? Our Girl History provides a descriptive photo essay overview of the day. My experiences were more limited, as befits someone of my status: officer’s servant.

Every good experience begins with a meal. Friday night supper included bread, cheese, pork loin and apple, imported from Rhode Island. Yes, I also helped myself to bacon, to ensure none was wasted. Bedtime for officers’ servants comes early: I’m not a stranger to rope beds, but found this straw tick far more comfortable than a previous arrangement elsewhere. 

After formation, to tasks. I was ably assisted by Miss Sam, who was a better height for the brooms than I. The brooms are speculative on the one hand, and later on the other. The corn broom was markedly more effective than the broom straw, which disintegrated with use, though not for lack of care in making. We were up against some serious accumulation.

IMG_6361

Housekeeping and servants manuals from the period, like Hannah Glasse, tell you the cleaning must be done every day. It’s certainly something I heard within my own lifetime, though an ideal I continually struggle to achieve despite the advances of Mr Kenmore. The general rule is to begin at the top and work your way down: gravity is, at last, your friend. I use brushes– a large, soft round paint brush and a stiffer circular whisk– to remove dust and dirt from upper surfaces, and cobwebs from corners, and other wall-borne detritus. Gentlefolk: your cleaning ladies know much about you in any century.

After sweeping (yes, into the fireplace or out the door, it’s that simple), scrubbing. I scrubbed the baseboards first with vinegar and water (the vinegar infused with lavender for several years). Filth, my friends. Then we mopped. Again, filth.

IMG_6363

I would have preferred to do another dust collection on the floor– the water did pool a bit on the dry dust that remained, but swabbing seemed to work and I believe we left the floor cleaner than it had been. The three mops we tested (wool, cotton, and linen strips) each had benefits and deficits.

The cotton and wool caught on the rough floor boards, but did a good job spreading water around the floor and lifting dirt. The linen strips were better at not catching and at scrubbing.

No matter what, the water got filthy and took on the look and nearly the consistency of the chocolate we drank that day. Remember the iron museum rule: don’t lick it! That rule applies everywhere.

IMG_6364

Everyone and everything got cleaned Saturday. Miss V broached the laundry with vigor, but discovered that possibly untoward things had been done in her laundry tub. Things that might involve shoes, and blacking. Marks were left on shifts and shirts, so even the wash tub got a scrub this garrison weekend.

Some of the best comments came after the fact: I’ve never heard cleaning called “one of the coolest things” seen all day, but when someone says it helps them see a space in an entirely new way, I’m incredibly happy. There’s so much about the everyday use– and maintenance– of space and objects and each other that we take for granted in our own lives. Surely the people of the past who had servants took all that work for granted.

But for me, enamored as I am of details and of the quotidian, transforming a space through the everyday work of women is a job with doing. Thanks to Fort Ti’s staff for giving me the chance to step back in time and enjoy (really, I mean it) a day of hard work bringing the mundane back to life.

Unless otherwise noted, all photos by Eliza West, courtesy of  Fort Ticonderoga.

Writing for the Weekend

Johann Ender, Woman at her writing desk ca 1820
Johann Ender, Woman at her writing desk ca 1820

or, Women’s History at Washington’s Crossing

I haven’t dropped the peddling question, I promise! But I’m busy writing a paper for this coming weekend’s women’s history conference (yes, I know: but I’ve read that procrastination fuels creativity, so those digressions into the Canton voyage of the Ann and Hope were totally worth it).

Georg Friedrich Kersting: Briefschreibende Dame im Biedermeier Interieur, 1817
Georg Friedrich Kersting:
Briefschreibende Dame im Biedermeier Interieur, 1817

If you’re curious about the process I go through developing characters for living history programs, or best practices for women of the Revolutionary War-era armies, among other topics, there are some tickets left, and you can register online here.

But before I can compile what I’ve found about food markets in 18th century Boston, I have to go back to writing for this weekend.

Those Providence servants don’t research and describe themselves, and the housekeeper is particularly unreliable.

Maid to Order

DSC_0572 I play the maid a lot, or one the lower sort, both at home and abroad.

I’ll be a maid in Newport again this February, and for that event, I’ve made the skritchy rust brown gown.

Not quite finished, it still requires hemming and something to finish the sleeves, but in three days, I got pretty far, considering.

This back-closing bodice with bust darts was pretty awful to fit– strange relationships developed between the bodice neckline and a waistband now discarded and on its way to Johnston.

DSC_0573

The back closes with a drawstring at neck and waist, as simple as possible. Mr S and I discovered that fitting a bodice back was deleterious to our relationship, so drawstrings won over buttons. I can tie the lower string, but not the upper– annoying, as I was trying to make a gown that was easy enough to put on solo at 4:30 AM. Vanity won over a pinned apron front gown, though I know they exist in Rhode Island collections. The skritchy rust-brown cotton pays homage to that extant garment, which is a rough homespun brown wool. I may not be stylin’ extant, but I’ll be itching correctly.

Behind the Scenes, Below Stairs

Jonkheer Gijsbert Carel Rutger Reinier van Brienen van Ramerus (1771-1821), met zijn vrouw en vier van hun kinderen, Adriaan de Lelie, 1804
Jonkheer Gijsbert Carel Rutger Reinier van Brienen van Ramerus (1771-1821), met zijn vrouw en vier van hun kinderen, Adriaan de Lelie, 1804

Perhaps because I just finished Longbourn and have just started Year of Wonders, servants are on my mind.

In the family portrait at left, the servants are visible (just) to the right of the tree.

The man and woman almost literally mirror the main subjects, Carel Rutger Reinier van B can Ramerus and his wife, positioned as they are in opposite relationship to each other. The servants, too, are surrounded with life, carrying a child and dogs and game.

servants

The woman is holding the infant of the van Ramerus couple, and even without Google Translate (that’s “four of their children”) we can figure this out. How? Because the child is held away from her body, and faces forward. It is a slightly odd arrangement, with the infant so peripheral to the main image, but we’re fortunate, because this composition allows us to see the servants.

Class distinctions are clear in the dress: the female servant wears a cap, kerchief and short gown, the male servant-gamekeeper, perhaps–wears breeches and a jacket from the pervious century, as well as a cocked, and not a tall, hat.

It does remind me strongly of the imperative to continue a family line, and the lot of women to breed and produce male heirs. For all that I love the past, I know I could not live there easily.