Woolen Woes

imageOn Saturday, I got a very nice piece of wool from Mr C’s Strategic Fabric Reserve, just the color and weight I’d been looking for to make a Very Specific Spencer. The VSS is not a replica, but rather specific to a gown: I want it to go with a 1797 V&A print.

Did women wear Spencers in 1797-1800 Providence? At least one tailor, Joseph Taber, advertised that he made Habits and Spencers, but as far as I know, there are no extant Rhode Island Spencers. Given how few collections are fully online here, and how few Spencers survive anywhere, I’m not too surprised. Julia Bowen’s diary covers Spring and Summer, when she’s quilting (mighty lazy work, she says), but she doesn’t say much about outerwear.

Providence Journal, 11-13-1799
Providence Journal, 11-13-1799

I’ve been on the fence about how common Spencers were– after all, the drawings in Mrs Hurst Dancing show women clearly wearing red cloaks– but might a Spencer and cloak combination have been just the thing to keep warm on a raw October day? With a wool petticoat and long wool stockings, you could be fashionable and warm.

There’s no firm documentation of any of that– which does not mean, as I once muttered in the general direction of some recalcitrant docents, that rich people in Providence hunkered naked in cold corners of curtain-less rooms gnawing on raw meat.** What it does mean is that much of what we make and wear is conjecture, based on examples from the same time period in other geographic areas.

Can I have a Spencer in New England? I’m not sure, but I’ve made another one anyway, and here it is, still underway. (The thing about Cassandra is that while she is a very patient model, she has terrible posture. I can verify the back fits me a great deal better than it fits her.)

Cassandra's posture is very different from mine. She will not pull her shoulders back!
Cassandra’s posture is very different from mine. She will not pull her shoulders back!

This wool is buttery and soft, and takes the needle well. Waxed thread glides through it and grips. It does have a tendency to fray a bit at the cut edges, but has a good pinked edge, and there are examples of pinked-edge facings in extant men’s wear. Sweet, right?

I’m not showing you this to boast about my skills, but to show off an dandy mistake. In working the folded edge of the collar, I trimmed a bit too much at the neck edge, and found the collar a bit small when I basted it in. Of course I removed it, and started again, easing a bit more as I went: Huzzay! It fit!

Really, I'm not sure how this happened. But there it is: upside down.
Really, I’m not sure how this happened. But there it is: upside down.

Oh, reader: rejoice not. I backstitched that bad boy on upside down. Expletive deleted! Mad Skillz: I even managed that bit of genius before my pre-work panic attack.

I took the garment in to work to seek council from my tailoring-class-educated friend who possesses native common sense and Yankee practicality. It came down to this: is it worse to have the collar upside down, or to have it not fit as well right side up? Decide with the knowledge that working the fabric more will affect the cut edge badly. My friend suggested stitching in the ditch with contrasting thread to make this flaw an Intentional Design Element.

Black trim on a Spencer?

That is a good idea, but I thought the flaw will still be too noticeable. Then it came to me: trim. Just as the construction guys are spreading drywall mud in the chinks around the window frames, I can spread some wool braid love around this collar. There’s certainly evidence for trim use on Spencers in fashion plates, and trim would push the men’s wear aspect of this garment even farther. As soon as I got home, I double-checked extant garments and fashion plates, Roy Najecki’s lace page, and measured my edges.

Four yards of quarter-inch black mohair braid should do the job, stitched around the edge of the collar and lapels, the cuffs and possibly the hem edge.

Do I run the chance of looking like a black-outlined cartoon drawing? Yes.

Did I just buy endless hours of tiny stitching? Yes.

This is a crazy, work-making solution that may leave me with a garment not suited to my class in early Federal Providence. But I think it’s going to look amazing when it’s finished.

**(The docents argued that textiles were SO RARE and SO PRICY in late 18th century RI that NO ONE in Providence had curtains. NO ONE. The lack of fire was my own bitterness coming out at this Great Curtain Kerfluffle which took place at a public lecture I gave explaining what we knew about the use of textiles to furnish Providence homes of people who would be as rich as Bill Gates today.)

Cold Scoops

What Cheer Day preparations must begin in earnest now, no matter how distracting I might find orderly books or silk shoes (not in my size, alas: no last can be found). I already have clothes enough for a housekeeper, though I still crave a broadcloth Spencer and am working on a petticoat. I’ll hardly go outside that day, so why am I thinking bonnets– especially when I have a known bonnet problem?

One of my favorite resources for Federal era Providence is Julia Bowen’s diary. Born December 1, 1779, Julia’s diary records her life in Providence in 1799, when she was 19. She records the daily activities of the second set of Providence women– daughters not of the most elite merchants, like John Brown and John Innes Clark, but the Bowens, Powers, Howells, and Whipples. Distinguished, but not super-elite. Many of the entries are as prosaic and superficial as you’d expect from a young woman in late adolescence, and thank goodness they are, or we’d never be able to imagine life in such fine detail.

Julia got me thinking about bonnets with her entry of April 12:

found the Major & Citizen Sarah & C. Angell altering their cold scoops into Rosina hats, so busily were they employed that the Major could not go a visiting, which deprived me at once of the greatest pleasure I anticipated in my visit.

(She used code names for her friends; some we can decode, and some we cannot.)

I haven’t been able to decipher what “Rosina hats” were, but cold scoops I could handle: coal scoops.
That colloquialism fits not just fashion plates but extant coal scoops and buckets.

You just have to imagine them turned over.

The Gallery of Fashion, 1797, Bathing Place, Morning Dresses.
The Gallery of Fashion, 1797, Bathing Place, Morning Dresses.

I went for cold scoop, with a pasteboard brim and olive green taffeta brim and caul. The mannequin is a 3-D sketch, if you will, of what the housekeeper plans to wear this autumn. At least until she can figure out what a Rosina hat is.

“As much so as we can”

Captain Christopher Marshall Orderly Book, 1781. Society of the Cincinnati Library.
Captain Christopher Marshall Orderly Book, 1781. Society of the Cincinnati Library.

It’s been a tougher week than usual chez Calash, what with the AP Euro History and Honors English homework and struggles of the Young Mr, early mornings at work for window installation (finally, thank you!) and a round (lost) with an Orange Line Special virus brought home by Mr S.  The bright note came in the mail, though, and thank you USPS for your really reliable and right on (this) time delivery!

I have been working to get this book from the Society of the Cincinnati Library on behalf, and at the behest, of the 10th Massachusetts. The SoC have an pretty amazing collection, and they undertook a project to have their entire collection of British and Continental Orderly books conserved. These are incredibly fragile and almost ephemeral books: they’re the daily record of orders, courts martial, movements, complaints and requests for a regiment. It’s like the notes you might keep if you had to meet with your boss and other direct reports every day and keep track of many orders affecting the several hundred unruly, hungry, and possibly irritable guys under your command. But you’re taking notes with quill and ink, in longhand, and no one is going to email minutes out later that afternoon.

Bridget Connor turned up in an orderly book, so they can have a novelistic appeal (handy for those of us who approach military history from the social history world). So far, this book has produced no Bridgets, but it has not disappointed. Reader, I wept.

This book has moved me. Take this:

The disadvantage and difficulties which from inevitable Circumstances we labour under instead of depressing should inspirit us to surmount them. That we are involved in them is only our misfortune; not to make efforts to Conquer them will be our fault: and if we cannot be so well prepared as we ought at least let us be as much so as we can.

There are sketches of the “disposition of the New hampshire Massachusetts Rhode Island and Connecticut lines.” And, as I read to the Young Mr, there is unfinished business in nasty rooms.

Some part of the Camp and about the long Barracks in particular is relaxing into nastiness. Regimental QuarterMasters have been ordered to have them Clean and keep them so. An Officer of each Company has been ordered to visit the Barracks every day and to Confine & Report those who throw bones of meat Pot Liquor or filth of any kind near the Barracks. Yet all this has been done and no report has been made. it is hatefull to General Howe to Reitterate orders as it ought to be shamefull those who make it necessary.

Why, the Young Mr and I just had a similar talk last night…though, thankfully, there were no bones of meat involved.

This going to be a good read.

I know the SoC has a beautiful library and nice website, but folks, if you are into this history, throw them some love. I checked their 990s and they’re struggling just like everyone else. And if not them, please, support your favorite local historical site, organization, museum, whatever. Every place has something magical that will change your day. Your money– even a small donation– helps them do that work.

A Trip to Stonington

The view from Stonington Point

On Tuesday, I drove down to Stonington, CT to visit the Stonington Historical Society’s Lighthouse Museum and look at a coat. Stonington was beautiful as ever, smelling of the ocean and money, and the little Lighthouse Museum was nicely done.

The coat did not disappoint.

It is a truly amazing artifact, having survived despite pretty incredible events. The donor wrote a letter about the coat when he gave it to the SHS in 1914:
“I have heard my father say due to the haste and excitement of the volunteers they failed to properly cool their gun before pouring into its muzzle the powder, which due to the excessive heat of the gun caused the powder to explode prematurely, as you may see by reference to the coat—burned and torn upon the neck and shoulder.” (Coat and letter, Stonington Historical Society, 2009.120.001).

Stonington, CT

As beautiful as the town of Stonington may be, and as much money as there may be on the Connecticut coast, the SHS has a small budget and must use its funds wisely. We had an interesting conversation about the reenactors and museum collections, and what responsibility historical costumers have to the collections that hold clothes they replicate.