Black Bonnet Miscellany

Lot 102
AMERICAN OR ENGLISH SCHOOL LATE 18TH / EARLY 19TH CENTURY
LADY IN BLACK BONNET
In the original giltwood frames and glass, on original wood backing.
Pastel on paper
22 by 18 inches

The Sotheby’s Americana catalog arrived at work, and I had a pleasant walk browsing the sale lots as I walked from one building to another. This lovely lady is offered with her mate, a gentleman in a blue coat with brass buttons. They’re of a school of portraits made as the centuries turned, pastels rather than oils, less expensive and perhaps easier to drag about for an itinerant artist. She’s lovely, in her frothy white ruff, with that well-made bonnet. That’s a bonnet I’d like to try making…eventually.

For now, the most brilliant thing I can recommend is Hallie Larkin’s blog post on 18th century buttonholes. Needless to say, I have not been doing them right. Read, learn, and look forward to better buttonholes. Brilliant. Did I mention brilliant? The photos from Neal Hurst at B&T are especially helpful, and honestly, I am so glad I didn’t tackle the green coat’s buttonholes yet. Or a spencer. See? Value in procrastination, distraction, or whatever you want to call it. Better buttonholes…it’s like salvation!

More on the quilting process later, when I manage to download the photos I took of the stencil process, and when I take some of the sandwich and frame situation. And then there’s more documentation…along with a couple of meetings, mailing my mother’s birthday package, I forgot breakfast, and pitching the boiler repair to my boss–and finishing the new cap I started. And this is an easy day!

Feeling Shifty

It’s clean now, but in the photo you can see some of the abuse a shift takes in a day or two of real wearing. This shift was made from the Kannik’s Korner pattern. The first shift I made is now on a mannequin at work; I used Mara Riley’s Instructions, and they worked, mostly, with some operator error. I’m tall, and that means that proportions for my clothes sometimes have to be adjusted. The third shift I made was a late-18th century version, adjusted for the change in style and my height, and it is by far the best one yet.

So now I know I need to make another mid-18th century shift, what will I do? The first place I’ll start is with Sharon Burnston’s awesome article, The Cognitive Shift. This is one of the best pieces I’ve read on costume history and the logical, methodical approach is one that not only explains her process, clarifying objects and construction, but also sets a standard for how other garments could be considered.

Among the points Sharon has made over time is the lack of decent linen available for making shifts and shirts. What we can get today is too heavy, too coarse–it lacks the hand of the linen items made in the period we’re reenacting, and not just because the objects have been washed. The fabric is simply different, and unavailable. What  I think I’ll try (having exhausted whatever shift linen I bought from a sutler) is this light weight linen, not softened. I have some that was used for a cap, and so far seems to be working out. Once it is washed, it seems to have a decent drape and appearance.

My impression is not of a fine lady, and that is at least a saving grace. I don’t want to go all the way down the social ladder to wearing an oznabrig shift, but I do want to be as accurate as I can be–and as comfortable.

Hot Mess

Hand sewn, except for basting for fitting

Overalls: the devil’s clothing item, even more evil than the worst multi-part replica sleeve  (that’s right sleeves, I mean you!). First there are the fiddly fall bits. Then there is the question of overall inseam length, then the shape of the leg must match the contours of the wearer, and lest we forget, the evil tongue. All of this is followed by 15-20 buttonholes.

Why did Mr. S not join a kilted regiment? Pleats and hems, easy-peasy. Overalls, not so much. The current overall score is Overalls 1, KittyCalash, 0, Draw, 1. The current pair have conquered me, but I may yet prevail but turning them into breeches with a swift amputation of the lower extremity. The first pair I made were finally overcome last fall with a new tongue piece, but they are too baggy to be correct. We’ll call that a draw.

Many moving parts

Fitting the beasts is awful, because so much sewing has to be done up at the waist, but somehow I will have to come up with a muslin and drape the legs to the subject. Once that is done, I can make a more permanent pattern that accounts for shorter than average femurs, larger than average calves, long shins, high arches, and small feet. (Most of the 2nd Helping Regiment guys have very small feet. The Young Mr is the exception, with his 12s. Obviously, his shoes will be the first to be eaten on a march to Quebec: more leather, better broth.)

Then there is the question of a tent. Locally, a very fine hemp linen “other ranks” tent has been made, with ash tent pegs and hewn tent poles. The Young Mr and I made up a scale model last night (sans bell) to test the dimensions we worked out using math, Once school is out, all math must be real-world tested. From this, I began calculating yardage requirements, based on 57″ wide hemp linen available from a few sources. At $17/yard, it looks like $187 for a tent without a floor or mudflaps or a bell. 11 yards! That is a lot of fabric, and a lot of sewing.

Tiny little tent!

Perhaps tonight we’ll try out a slightly smaller version, with a bell. If we start this fall, we might have a tent done for next season…if the guys would only learn to sew!

Switching Centuries, with Strawberries

It’s an early birthday treat, patterns and shoes, and all on sale! I’m fairly certain that if told these had been purchased while on sale, my mother would say they did not count as a treat. never mind, they do to me!

American Duchess “Georgiana” shoes sold as imperfect, but quite good enough for my impression. Getting closer to having to make my version of the striped silk polonaise at the V&A.  They’re super shiny and lots of fun.

The patterns include vintage patterns, unused, and shockingly enough, in my size, from Sandritocat on Etsy. I have vintage fabric in blue, just enough to make the dress with short sleeves. All in all, happy early birthday goodness.

Today, in addition to chores and sewing, I think I’ll try making (or starting) strawberry cordial. The recipe was in the Country Living (UK) magazine, and can be found online, too. 2.2 pounds of strawberries, just have to make the room in the fridge. This might work well for the opening, too.