Book Review: Book of Ages

Book of Ages, by Jill Lepore.
Book of Ages, by Jill Lepore.

This is a book about reading and writing as much as it is a book about Jane Franklin, Benjamin Franklin’s little sister. Book of Ages has been reviewed elsewhere, and Lepore wrote a really lovely piece in the New Yorker called The Prodigal Daughter that is unfortunately behind a subscription firewall, but which I have read on actual paper. If you can get hold of it, I do recommend reading it before you read Book of Ages. It makes the book all the more poignant to know something about Lepore’s process.

This is, in many ways, another book about mud and misery (see the best bits of Longbourn). Because Jane Franklin Mecom (her married name– she married at 15) left behind so little, Lepore builds much of her story out of the context of Boston and New England in the mid-18th century.

It’s not exhaustive in its detail, and that’s fine: the book is an easy, comfortable read that still provides well-researched information about the lives of women in the 18th century. I finished it over a week ago, but details still remain (and that is a testament to Lepore– these could have been supplanted in my mind by details of exterior water meters, skunk removal techniques, or indexes for early vital records). Among the details I recall: Funerary and mourning customs, from published sermons to the distribution of mourning gloves and rings; soap making and trades practiced by small holders in home workshops; Jane Franklin Mecom’s wartime flight to Rhode Island; the power and practice of extended family networks.

It also reminded me of the differences in educational methods or standards for boys and girls, which helps remind us all of the importance and significance of the ideal of free public education for all. (We had some early proponents here in Rhode Island.) What might Jane Franklin’s life have been like in other circumstances? Honestly, even if she’d been well-off and well-educated, as as woman in the 18th century, she would never have had the same chances as her brother, no matter how evenly their intellects might have been matched.

If anything, that’s reason alone to read Lepore’s book, to celebrate the life of a woman who was both ordinary and extraordinary, and to recognize how much closer to all the anonymous, disappeared women of the past we can get through this example.

‘Countryside at War’ Saturday

The Countryside at War, Hartwell Tavern, MMNHP, August 24, 2013
The Countryside at War, Hartwell Tavern, MMNHP, August 24, 2013

We came, we saw, we sewed, we ate cake. No, it was more than that, though there was any quantity of excellent cake on a lovely Saturday.

I had a chance to spend the whole day with people I really enjoy talking to, like Sharon Burnston and Sew18thCentury. (I love that silk gown. I really do.) We are all preparing for an event we will be part of in Providence in October, and I think and hope it will be great fun! But I’m getting several weeks and 25 years ahead of myself.

On Saturday, Sharon was a widow who had traveled from New Hampshire to visit her daughter, who was but one month from her confinement. She had a portmanteau of clothes for the soon to be born child, and food, as the blockade and closing of the city had made obtaining anything very difficult.

Before the jacket was applied

Visitors came and asked interesting questions, but there wasn’t much I could answer. Reader, I had not studied. I had sewn instead, vain woman that I am, laboring to produce new trousers and a new waistcoat for the Young Mr. He spent the day reading his school book, recovered in craft paper and blue check linen. Saving grace, that cover, and I plan to make many more. The Young Mr (after hauling carts and goods for people) found  some handy stones and settled in to get his work done.

His father plans to make him a full-size wooden musket from some mahogany that was left over from construction at work: there are no rules to prevent him learning to drill will a dummy musket. At events when he’s not trying to do his school work, he does enjoy being put to work. He likes to feel useful, and I am grateful to people who recognize that, and help me keep him in the hobby. This was all his idea in the first place…

Sew18thCentury and I had a long walk on the bike path, which was mildly dangerous. Bonnets block a great deal of your vision, and change your hearing, so bicycles are particularly troubling. And when wearing a bonnet, one has to peer out from under it to see anything above you, or your lap, as you can see here.

Our clothing was documented, as you know from posts on this blog. I assembled sheets for each of us, and they can be found here: The Young Mr, Mr S and Kitty. I finished it all late on Friday night, so by the time I reached my own, well…there’s always next year to tidy that up. I still like the gown, and I really like the lightweight wool olive/brownish petticoat with the gown. Hooray! Clothing I like, in wool, that can be worn in summer. What’s not to like? (Well, pins, for one thing. They bend and pop out.)

Drilling in the shade, Shirley-style
Drilling in the shade, Shirley-style

The men were drilled for the September 28 event, which rolls forward, sort of. I expect or hope for a schedule this week, which will be helpful. Fingers crossed…though no matter what, I will have to hope a train back to Providence by 3 to make rehearsal for the event at work. That should be interesting…

Now it’s down to finishing and fixing projects in process, and deciding on fabric for a housekeeper’s gown from 1800. I think I’ve settled on a year and style, but the fabric eludes me still. I have to find it pretty soon, because on Saturday, I’ll start making coats for Saratoga. I’m a sucker for beauty, and the Adjutant got me with sea foam green and dark brown wool. The facings are false, so really, a button-hole-free, single-year, described in a letter, regimental coat? The artist in me won, and I am so making that.

Many, many thanks to Sharon Burnston and Friends of Minute Man National Park for the photos! I took none, except of the Young Mr in our yard.

Strip it! Wait, maybe not?

For once, the MFA’s search engine trumps the Met’s (hat tip to Sharon for pointing out painted versions).

Brace-back Windsor side chairs, Providence, 1780-1810. MFA Boston, 1976.776

Providence, thank you very much, green over black paint. Here’s another chair, clearly green. (This is very interesting, as the ones in my museum are not painted. Clearly, there’s wide range and variation in chair finishes. Now to think about temporal and geographic distribution of those finishes…)

High fan-back Windsor armchair, Boston area. MFA Boston, 64.86

My first concern was location. All I can tell you right now about the one I found is that is seems to be from New England: much more looking to do to narrow this down to a state. (Most of my furniture time is spent looking at shells, feet, and splats, but I like the Windsor style better, so this will be fun.)

Once I figure out where the chair came from–if I can–then I can decide whether or not to strip it. The easiest thing is to clean it and then repaint it in proper colors (like green over black, happily documented to Providence).

If the preponderance of examples I find like this are not painted then I will have to look at the condition of the wood (hmm…might not be so great) and see what I think. Somewhere I even think I’ve seen a furniture check cover for a Windsor chair in a painting…always more to hunt for.