Research for Reenactors

that's Old School. The Library at the University of Göttingen (18th Century)
that’s Old School. The Library at the University of Göttingen (18th Century)

I could not figure out where the hits were coming from, but looky here: Research for Reenactors links to some previous posts here (in the days before Frivolous Friday).

If you are a beginning reenactor, or someone who wants to refresh your presentation, I think this librarian’s guide is a good one. There’s excellent logic in the tabs and good suggestions. Thank you, Laura, for including me, and for such a wonderful resource.

Mail Call!

writing letter0001Gentle Readers, would you be writers?

You can join the fun this year by providing mail for the HMS Acasta‘s mail bag at the Jane Austen Festival. Maybe you can’t go, but why shouldn’t your letter?*

Read more here about the suggestions for types of letters, and the characters to whom you may write. It’s on my list of neat things to try to get done.

*Hot tip: Jo Baker, author of Longbourn, will be there. Creative writing, author talks and dressing in high-waisted gowns? Why am I not going? (Because I have too much to do in July!)

Pockets of Evidence

Or is it evidence of pockets?

Pocket, 1770-1780 Rhode Island Linen, cotton and silk RIHS 1985.1.9
Pocket, 1770-1780
Rhode Island
Linen, cotton and silk
RIHS 1985.1.9

In any case, I thought it time to upgrade my pockets, since I have given so much attention to the rest of Bridget’s clothing. I have also been talking with a colleague about a pocket game activity, similar to the process I’ve used in thinking about Bridget: what is in your pocket? If I’m going to try that out in public, then I’d like not to be embarrassed about my pockets.

The first pocket I made was based completely on one in the RIHS Collection, and it annoyed the daylights out of me as it had exactly the same loop on top and twisted around under my petticoats, making the opening hard to find. I also realized that it was too small to be really correct for a woman’s pocket: those tend to be larger. Sew 18th Century has a really nice article on pockets here.

Pocket, 1789 American  linen  Gift of Miss Blanche Vedder-Wood, 1940  MMA Costume Institute C.I.40.159.4
Pocket, 1789
American
linen
Gift of Miss Blanche Vedder-Wood, 1940
MMA Costume Institute C.I.40.159.4

So I made a larger pocket based on this one at the Met, and made of a grey and cream striped linen with the slit bound in red calico. It’s dated to 1789, and technically that’s too late for my uses.

Pocket 1720-1730 block printed cotton and linen
Pocket
England, 1720-1730
Cotton; Linen
Winterthur Museum Collection 1960.0248

But the next one is too early.

Well, it has survived this long, and Wm Booth has that lovely shell print cotton, so what’s a sister to do? Pockets don’t take much fabric, so making a matched pair of printed pockets seems the thing to do.

Now the question is, what should be in those pockets?