Weekend Update

Not the best weekend, but not the worst. Let’s start with the best parts, and perhaps the worst will be forgotten.

Drilling, 1758 style, at MMNHP

We went up to Minute Man on Saturday for the first of two rounds of early-period drilling for the 1763 event which will feature Marshall’s company of militia. One highway closing and a lack of period clothing later, we arrived. There was crossness, mostly occasioned by the closing of 95 northbound at Pawtucket, as we do not like to be late.

This early drill is pretty interesting, especially compared to von Steuben’s manual, developed nearly 20 years later. The early manual is almost baroque, and seems full of superfluous movements, described with superfluous words. In some ways, it reminds me of Morris Lapidus: Too much is never enough.

I sat under a tree and watched while re-pinning and re-basting Mr S’s bloody overalls, which must be done one week from Thursday, ready to be put on for a 7:30 AM departure for a parade on the North Shore, with a step off at 9:30. DC appeared, watched me sew, watched the drilling, got anxious as he always does, but was favored with the present of a rope work dice cup from one of the older members of the regiment. It’s a small kind of acceptance ceremony he performs.

Mariner’s cuff, adapted from a Costume Close Up coat.

After struggling with the utilitarian overalls, I felt the need for a more artistic pursuit. The horrid green frock coat seemed less horrid after staring at what was on display, so I brought it ought and made Mr S try it on all over again. It will still need altering to fit properly, but I think I can manage that better than I can making it into a waistcoat and making a new, proper frock coat. (Though I have some lovely wool, and a plan to have him turn out in that for next year’s Battle Road.)

With stripey-lined flap.

I found more green linen scraps in my stash, and then it dawned on me: If you haven’t got width, go vertical. With Koshka’s tutorial onscreen and Costume Close Up, I fiddled around with the scraps on Sunday morning, and came up with a mariner’s cuff adaptation. At this point, I figure this is a test garment, and whatever mistakes I make will turn out better on a broadcloth coat, and all buttons are recyclable. It’s a bit of a lie, this coat, since it’s got to be 1775 in July and 1763 in August. For a one-off event, it’s madness to make a totally correct outfit when I haven’t got exactly what is wanted for July. That short wool coat will be murder in August– so wonky cuffs and alterations it is.

The Young Mr might get a blue linen unlined short jacket: I have proven I can make those, there’s one in a Sandby drawing from 1759, and though I dearly want to make him a short, laborer’s coat in brown camblet with a red lining, I haven’t got a suitable pattern yet. With a 34 inch chest, he’s a tough one to fit.

18th Century Sno-Cones

Nooning Saturday. Sandwiches and fruit

You may not have seen the Mad Men episode about the Sno Ball campaign, but chances are good you remember Sno Cones in paper cups from street vendors or Woolworth’s. On a hot August afternoon in Chicago, they were a treat waiting for the insufferably delayed Number 11 bus. On a warm New Jersey night, one can be inspired.

When the Wemrock Orchards truck came through camp Saturday evening, we bought another bag of ice—20 pounds!—and added ice to our pitchers. The Young Mr started crunching ice cubes, and The Adjutant observed, “You’re following the label’s advice: ‘Ice is Food’.” Mr S and I looked at each other and said, “I wonder if you could make a shrub slushy?” But what to beat the ice with? Musket butts were considered and rejected. And suddenly the Young Mr said, “We have a mallet!”

Indeed we do: Mr S made us a whacking great mallet with an enormous head. We ran to the tent to fetch the mallet and the flask of shrub, wrapped two handfuls of ice in the cleanest white cloth we had, laid it on Table (a clean, flat piece of firewood) and wielded the mallet. Just a small amount of shrub (recipe here) will do; it’s pretty potent stuff, even when non-alcoholic. I did not whack long enough, but shrub over crushed ice is a delicious, if highly unlikely for a common soldier, treat. The Adjutant is correct: the ice needed more whacking. But when he said, “I guess someone will have to make a mallet for the unit that’s flat on one side and serrated on another,” I figured we’d been accepted, crazy snow-cones and all.

How Now, Brown Gown?

Finished. Hope it fits, right?

Finished, that’s how, with holes in my fingers and a split in my thumb.

Sure hope it fits…I have tried it on along the way, and it is an open robe, so chances are good it will fit. But after I dressed Cassandra, I did have that “What if…?” moment of dread. There’s a lot of this that’s like art school. Hours laboring alone, hours of studying precedent, craft/technique and theory, and then you have a presentation, i.e. you wear the thing in public. I try not to think about it too much.

I could take this apart for you (the sleeve is more ‘modern’ than the cuff; gowns are not known to have been bound at the hem, though petticoats were; didn’t finish the matching petticoat; did I use the fabric the wrong side out?) but Gentle Reader, I suspect you can supply your own quantity of anxiety, and need not borrow a cup or quart from me.

Let’s talk about the fun parts:

For a while, I hated this gown. Seriously. The closer I got to being done with it, the more I flat-out despised it and found it ugly. Why? Too nice. That’s a respectable gown, that is. It’s the gown your mother would tell you to wear, or the one she thought you ought to change into when she said, “You’re going out in that?” As if you were planning to run away in a red and black calico gown… And I hated the color. Then I thought the wool was too heavy.

Mrs Sylvanus Bourne, JS Copley, 1766. MMA, 24.79

I am not this old. My impression is not this wealthy. My dress is not silk. But when I look at what I’ve managed to make, and I look at this (my own white apron is coming; I almost finished it yesterday, but the alarm company called and I had to go deal with an early-morning bat) I feel better. I have white mitts, a white kerchief, and there will be a white apron, bats or no bats.

It’s a neat presentation, the brown and white will look well together, and with a black hat or black bonnet. And by the time I’ve sat on dirt and ground some soil into the skirt, and burned a hole into the hem, I’ll probably like this gown.

But it seems so…proper…and that just doesn’t seem like me.

Projects A-Waiting and Awry

One of things I like about the HSF series is that it keeps me sewing. It’s good to have accountability, and the challenge provides it. Structure, and deadlines: good for the soul.

And then there’s that factor known as work. We’ll call it that, as the effects are often described in language not suitable for the New York Times, last bastion of manners. Poor William Shawn spins as each New Yorker is printed: he’d never let //platform.twitter.com/widgets.js” target=”_blank”>douchebag pass.

But I digress.

Things changed in the schedule and now I don’t have to sew delicious frock coats and corduroy breeches for February. The good news is that I will not have to wrangle the unwilling to be fitted immediately, and I will be that much more skilled by Fall, when the clothes will be wanted. It also means (sort of) that there is actually time to sew for me. This is a very good thing, as I am planning to attend Dress U and even to teach (heaven help us all) two classes, one on using museum records and collections online and in person, and another on what Reenactors and Costumers can learn from each other. So while I’m thinking about 1790s wool jackets and trousers, a Battle Road-worthy wool gown (pfft! Gowns seem easy now!), Battle Road men’s wear (a little queasy, not so easy) and at least one more pair of overalls (unprintable, really) I am also thinking about how much I don’t want to be the tiara-less, non-sparkly girl again.

What does that mean? That means silk, and the Curtain-Along Gown, which I think I have figured out. (Figuring out the silk part will come later, I’m just happy to have gotten this far…)

1780-1790 chintz gown
1780-1790 chintz gown
Fairfax House
Fairfax House

Historical Sew Fortnightly  #3 Under It All: I meant to do my shift, but that changed. Voila, petticoat. I have Ikea cotton curtains that will make a lovely petticoat that can be worn with a Curtain—Along gown of the dark red Waverly chintz, which I plan to make in the style of one of these gowns. An all-cotton, all-curtain ensemble makes me laugh: I am a Carol Burnett fan.

If I get the petticoat done, then I will have to make the pretty dress, at least eventually, which should be sometime between overalls (April 20) and Dress U (May 31).

10th Mass LI at Nathan Hale
10th Mass LI at Nathan Hale

That leaves time for something wicked regimental this way comes by June 15. Oh, yes, I expect Monmouth is in my future, humidity, turnpike and all. Why would I miss that?