Portrait of a seated young lady, watercolor on paper by Anna Maria von Phul, 1818. Missouri History Museum, 1953 158 0013
Ladies’ Monthly Museum, v. 5, plate 71. July 1, 1816. Casey Fashion Plate Collection, Los Angeles Public Library
Anna Maria von Phul’s delicate watercolors of Saint Louis in 1818 (example at left) remind us that cities in the hinterland of America have never been as far behind the times as coastal dwellers might imagine. As a former resident of the Great Fly Over, I know how defensive people can be about their relative sophistication, and that could be why our Young Lady here appears slightly defensive in her posture.
The young lady is certainly fashionable in that white gown, and literate, too, though we cannot see what she is reading; perhaps Maria Edgeworth.
It took some doing to find a similarly posed and dated fashion plate with a book, for fashion has always been more fantasy than reality.
Paul Sandy, The Laundress, 1780. British Museum, 1904,0819.624
This print makes me think of Gertrude Stein, “Irons on the grass alas” because I think I would be pretty alas if I were ironing on grass. Still, I’m glad to know that ironing in camp is plausible, because it’s one more thing I can do, though also one more heavy item to pack.
I continue to chase laundry in my spare time, with a Pinterest board of collected images, which will give you a sense of the timeless drudgery of washing clothes. There will be stooping.
A Washerwoman, by John Varley (1778-1842). Tate Britain, T08695
In this sketch by John Varley, he has helpfully given notes to supplement the lines.
“neckhandkf
spots Drab stays
blue check apron”
The symbol in front of ‘spots’ suggests the neckhandkerchief’s pattern, a dot in a square, much like the ones you can today from Burnley & Trowbridge. “Drab stays” suggests a very utilitarian pair of wool stays, and that the washerwoman has stripped off her gown or bodice, and is working in shift, stays, and petticoat(s). This seems to be the same woman is in the “Woman with Wash-Tubs” drawing, and I’d guess her hat is straw.
A Scotch Washerwoman. Crayon drawing by Pauil Sandby after 1745. British Museum, Nn,6.61
There’s a remarkable consistency in the English drawings, though Varney and Sandby are about two decades apart. The tubs, the tools, the stooping: laundry is hard and unglamorous work, Sandby’s Scottish laundress aside. I can guarantee you that the 10th Massachusetts would have to outsource laundry in that style. (In any case, Scotland typified poverty and backwardness for late-eighteenth century Englishmen, so Sandby’s drawing, in addition to being titillating, is perpetuating English stereotypes of Scottish dress and practices and is, thankfully, not a reliable source.)
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