Mop It Up

"Useful occupations: Women's work, sewing, spinning, washing, ironing etc," illustration from Basedow's 'Elementary Work', 1770. Etching by Daniel Chodowiecki — at LACMA
“Useful occupations: Women’s work, sewing, spinning, washing, ironing etc,” illustration from Basedow’s ‘Elementary Work’, 1770. Etching by Daniel Chodowiecki — at LACMA

Mrs. Boice is at it again, folks: you can register now for a workshop in just a few weeks where you can learn more than you thought you’d ever want to know about getting ready for winter, laundry, caps, games, and dancing. Thought honestly, I think you can never know too much about these things, which is why I keep trying!

Yes, it’s what I think about: how did women prepare houses for winter? How did they get things clean? It was a lot of hard work, and is often underrepresented in historic sites both domestic and military.

You can learn more about the weekend online or download the detailed flier.

Mopping Up Action

Photo by Asher Lurie
Photo by Asher Lurie

This past weekend, I took my show on the road down 95 to Trenton’s Old Barracks Museum, where once again, soldiers’ rooms needed cleaning. Hannah Glasse exhorts servants (housemaids and housekeepers) to clean household rooms daily, and I can tell you this: if you’re cleaning 18th century spaces using period techniques, daily is the way to go.

Unpaved streets and sidewalks meant people tracked significantly more mud and grit indoors, and soldiers would have brought the parade ground indoors every time they crossed a threshold. Not a pretty thing– and then there’s the straw mattresses (to be changed monthly at a minimum), wool uniforms, skin, hair, and vermin that could accumulate as well. Filth: a major contribution to ill health if not managed properly.

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Brandy-new broom sweeps clean. Photo by Drunk Tailor

Being possessed of a particularly detail-oriented mind, I went in search of a more 18th-century correct broom at an affordable price and found a broom enthusiast on Etsy who agreed to make and priority mail custom brooms just in time for the trip to New Jersey. On the whole, I’m very pleased with these. They make a satisfying sound as they move across the floor, and draw a fair quantity of dirt. Turns out that strewing wet sand on the floor before you sweep is remarkably effective and absolutely the way to go. The damp sand keeps the dust down and is swept out the door with the filth without harming the floor.

Mop making: surprisingly contemplative.
Mop making: surprisingly contemplative. Photo by Drunk Tailor

After sweeping, mopping. Once again, I used the lavender-infused vinegar in the mop water (though I forgot to strain the solution this time). The mixture has a unique but not unpleasant smell, and as the floors dry, the room retains the odor, a sure indication of cleanliness.

This weekend was also the first run for a new wool scrap mop, which was proven the best mop yet. Many thanks to my secret source for the contribution to the effort. It’s clear that mops could easily have been made by binding rag strips to pole handles, and whether made by poor house inmates or soldiers, mop making is cheap, low-tech busy work.

Women’s Work

Paul Sandby (1731-1809) A kitchen scene circa 1754 Pen and ink and watercolour | RCIN 914332
Paul Sandby. A kitchen scene circa 1754. pen and ink and watercolour | RCIN 914332

The irony is not lost on me: I do stereotypical women’s work as I struggle to bring a feminist interpretation to a traditionally male hobby: 18th century living history or reenacting.* Even as it irks me, I enjoy being busy and believe in the importance of the everyday, the mundane, the lulls. Life moves pretty fast, as the saying goes, and the moments when you think nothing’s happening are often the most important.

Everyday work is what most of us do, and most of us will be remembered not at large, like Abigail Adams, but writ small, like Bridget Connor. But we matter, and the roles we play and the work we do matters, too, to the people close to us, and the details of our lives– not just the mugs, chairs, and shoes, but the vacuum cleaners and the way we live our lives– would matter to us in two hundred years if we were recreating 2016. So why do we skip over the domestic details?

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English barracks/ drawn & etch’d by T. Rowlandson ; aquatinta by T. Malton. [London] : Pub. Aug. 12, 1791, by S.W. Fores, N. 3 Piccadilly. Lewis Walpole Collection

Look: if  mopping barracks is good enough for Kubrick, it’s good enough for me, especially when you consider that the military understood the importance of hygiene in the 18th century, and that there are multiple treatises to be found on the subject, freely available online. Keep them barracks clean.

 

Observations on the means of preserving the health of soldiers and sailors : and on the duties of the medical department of the Army and Navy
Observations on the means of preserving the health of soldiers and sailors : and on the duties of the medical department of the Army and Navy

So I clean barracks, as a means of bringing the everyday back to life, because daily life, even in the military, is in fact remarkably mundane and domestic, centered not around the glory of battles but around the minutia of cleaning barracks, washing clothes, and preparing food.

Thomas Gainsborough, The Housemaid. 1782-86. Tate Museum, Presented by Rosalind, Countess of Carlisle 1913, N02928
Thomas Gainsborough, The Housemaid. 1782-86. Tate Museum, Presented by Rosalind, Countess of Carlisle 1913, N02928

Is this also the feminization of masculine space? Perhaps it is, in the way that our culture associates indoor domestic tasks with women. Either way, maintaining hygiene and cleanliness within a military environment is  documentable in detail and a critical, if sometimes overlooked, area of interpretation.

* I use living history to describe the re-creation of daily life. Re-enacting or enacting [the past] is, I think, better used for events of either military or date-place-and-time specific historical commemorations.

Flopsy Mopsy

Mop sellers, red chalk on paper, Paul Sandy, 1759. Museum of London 65.59/5#sthash.EaUTT9dg.dpuf
Mop sellers, red chalk on paper, Paul Sandy, 1759. Museum of London 65.59/5

They’re pretty consistent: mops appear to be made of fibers attached to a handle. These look like they’re simple string mops. A stick and string? A stick and rags strips? Something along those lines. But what kind of string? What kind of fiber? How was it attached?

I’ll confess that I have been too lazy to search collection for extant mops– no, seriously, if someone offered me an 18th century mop my first reaction after “Absolutely!” would be, “Wait a second…how can there be anything left of an 18th century mop? My own mops don’t last all that long….” so I assumed no such critter exists in captivity (feel free to prove me wrong, I could use an assist here). Instead, I went ahead with the daft notion of replicating what I saw in images.

Sandby helpfully supplies us with mop sellers who carry fuzziness on a stick. Most likely wool, since sheep were plentiful and cotton expensive in this period. But maybe not. In any case, a simple business.

Supplies assembled
Supplies assembled

After work on Saturday, I went mop-top-shopping. It was not one stop. An internal rant developed about how companies can call anything “wool” that is less than 100% wool, but I managed to contain myself and with enough hunting turned up hero cord, 100% wool yarn and 100% cotton yarn as well as dowels. Sadly, I could not find wool roving in any color but grey. So, making a mop from craft and hardware store supplies is a pretty easy thing, especially when you don’t have many tools to complicate the business.

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This is not my first rodeo where string is concerned, so I wrapped the yarn around a cutting board just the way you’d make a pom pom. How else will you get it all the same length (more or less)? The result: a somewhat sad hank in search of purpose, tied off in the more-or-less middle of the strands.

Secured temporarily with a rubber band, I tied the hank to the dowel with hemp cord. Then I turned the wool (and later cotton) back over itself, and tied it off again. I pulled as tight as I could manage, much to the chagrin of my now-blistered pinky finger. Small price to pay, though, for two new entrants in the experimental archaeology of cleaning. As I looked at the images in Sandby’s drawing and in the prints, I was pretty confident the mops are not tied off again in this second way, but one band didn’t seem secure enough. So, yet another compromise, but one that I hope will result in less hilarity from losing mop heads in the midst of washing floors.

Now, if I would but turn my attention to the lint, string, and yarn scattered about my floor at home…