Monmouth Millinery

New hat!
New hat!

As Eloise or her Nanny might say, It is rawther warmer than I care for. Lucky for me, I have a new hat. It’s a black straw hat of a kind you might see called a bergère, along with 4 yards of silk ribbon, purchased at Burnley & Trowbridge’s tent at Monmouth. Jim and Angela and their assistants were very helpful, and this was rawther a splurge for me, as I mostly buy my ribbon from Wm Booth’s remnants, when they are available. (We are tenant farmers. Mostly.)

Coromandel Coast lined hat, from an auction.
Coromandel Coast lined hat, from an auction.

But in this instance, I wanted a lady’s hat, so I pleated up about two yards of green silk ribbon, and added a bow. To get the multi-vector bending effect, I stitched millinery wire from Abraham’s Lady around the brim. The inside of the brim is lined with pieced scraps of the purple “Fleurs d’Inde” I used for a jacket (also made from a Wm Booth remnant). It ties on with yet another yard or more of ribbon. This is really a frivolous hat, for me. There are extant examples of straw hats lined with chintz, as you can see.

As luck would have it, I got to wear it right off, the very day I made it. How often do you get the chance to do without panic and pain? We attended the Saturday version of the Rochambeau Tea on Joy Homestead, an event which has its dedicated fans.

First hat outing
First hat outing

I wore this same gown last year, and to Nathan Hale; to my delight, I am enjoying it more each time I wear it. I think this petticoat is the right one; madder was too close and black too contrasty. Since the Rochambeau Tea “year” is 1780, this dress passes (ahem) muster; for many of the events I attend, it is too fashion forward.

London Cries: the Fishmonger. Paul Sandby ca. 1759. YCBA B1975.3.210

This hat will, I think, also work for the 1763 event, as the woman in yellow here is wearing a similarly dual-plane twist hat. I’ll never have a yellow gown though: I look pretty horrid in yellow.

Weekend Update

Not the best weekend, but not the worst. Let’s start with the best parts, and perhaps the worst will be forgotten.

Drilling, 1758 style, at MMNHP

We went up to Minute Man on Saturday for the first of two rounds of early-period drilling for the 1763 event which will feature Marshall’s company of militia. One highway closing and a lack of period clothing later, we arrived. There was crossness, mostly occasioned by the closing of 95 northbound at Pawtucket, as we do not like to be late.

This early drill is pretty interesting, especially compared to von Steuben’s manual, developed nearly 20 years later. The early manual is almost baroque, and seems full of superfluous movements, described with superfluous words. In some ways, it reminds me of Morris Lapidus: Too much is never enough.

I sat under a tree and watched while re-pinning and re-basting Mr S’s bloody overalls, which must be done one week from Thursday, ready to be put on for a 7:30 AM departure for a parade on the North Shore, with a step off at 9:30. DC appeared, watched me sew, watched the drilling, got anxious as he always does, but was favored with the present of a rope work dice cup from one of the older members of the regiment. It’s a small kind of acceptance ceremony he performs.

Mariner’s cuff, adapted from a Costume Close Up coat.

After struggling with the utilitarian overalls, I felt the need for a more artistic pursuit. The horrid green frock coat seemed less horrid after staring at what was on display, so I brought it ought and made Mr S try it on all over again. It will still need altering to fit properly, but I think I can manage that better than I can making it into a waistcoat and making a new, proper frock coat. (Though I have some lovely wool, and a plan to have him turn out in that for next year’s Battle Road.)

With stripey-lined flap.

I found more green linen scraps in my stash, and then it dawned on me: If you haven’t got width, go vertical. With Koshka’s tutorial onscreen and Costume Close Up, I fiddled around with the scraps on Sunday morning, and came up with a mariner’s cuff adaptation. At this point, I figure this is a test garment, and whatever mistakes I make will turn out better on a broadcloth coat, and all buttons are recyclable. It’s a bit of a lie, this coat, since it’s got to be 1775 in July and 1763 in August. For a one-off event, it’s madness to make a totally correct outfit when I haven’t got exactly what is wanted for July. That short wool coat will be murder in August– so wonky cuffs and alterations it is.

The Young Mr might get a blue linen unlined short jacket: I have proven I can make those, there’s one in a Sandby drawing from 1759, and though I dearly want to make him a short, laborer’s coat in brown camblet with a red lining, I haven’t got a suitable pattern yet. With a 34 inch chest, he’s a tough one to fit.

Two Words: Bed Sack

The Young Mr outside our tents
The Young Mr outside our tents

I’m making one. Or two. Whatever: I’m making them for famille Calash. Sleeping on straw and a sleeping pad is better than either alone, but I find with the arthritis that I need more warmth and more cushion than I used to require. True, I am self-padded, but the steel prosthesis does feel—it is only an illusion, but I feel this—closer to the surface, and thus colder, than bone. This makes for a Cranky Kitty, and it is far better for all concerned that Madam Commissariat be a Happy Kitty. I will forgo chairs and tables and other clutter—it is both authentic and pleasant to be unburdened—but I like to sleep well.

There’s a simple enough pattern in one of the Packet books, but the gist of the thing is this: Enormous Market Wallet. Interior common tent dimensions are about 6×6 or 6×7 feet, so you need to end up with something along the lines of 3×6 or 4×6 or 6×6 feet. The Packet suggests four pieces of ticken, each 30 x 80 inches, aiming for a finished size of 42×72 inches, with an center slit four inches wide and a couple feet or so long. (I used the 18th Century New England Life market wallet instructions for a guide in making ours, and will use the same idea for bed sacks.)

I’m not yet aware of extensive documentation of these for Continental troops, but there is one reference in a West Point waste book (see here, footnote three). Since we don’t allow fire in the tents, I am willing to compromise on cotton ticking for these, and (ssshh!!) machine sewing the seams, with a hand-finished slit edge. I might even borrow the serger from work to make really quick work of this business. They will truly hardly be seen, so although I know I am cutting corners, I don’t feel too wretched about it.

New Model Army Stove

From the BAR FB page.
From the BAR FB page.

Cooking and eating will be different at Monmouth, because there will be camp kitchens.

This means two things that give me stomachaches: trying something new in public and sharing with strangers. How to alleviate this discomfort? Research, of course, because we don’t think our landlord wants to have an 18th century camp kitchen in our yard, even as an attraction or energy saving option. (Nor have we figured out how to ask him about the hanging-chicken-cooking experiment we want to try using the metal fire pit he lights for snuggling with his many girlfriends.) For more on camp kitchens, you can read John U. Rees’s article here, or check out the work done on the common British soldier in America by the 18th century Material Culture Center.

"D" are the kitchens.
The circles are the kitchens.

With a camp kitchen, we can leave our three sticks at home. Kitchens are also far more authentic for a large camp (see the plan from von Steuben at right). I’ve also read that it’s quicker than cooking over an open fire, which is a plus.

A large heap of earth cannot be good in a downpour.
A large heap of earth cannot be good in a downpour.

The main downside that I can see to a camp kitchen is rain: from the photo and this drawing, you can imagine for yourself the results of a downpour. At least it’s going to be drier there by the end of the week…