Frivolous Friday: “Sport Your Little Spencers”

Spencers. hand-colored etching published by S W Fores, 1796. British Museum, 1851,0901.782
Spencers. hand-colored etching published by S W Fores, 1796. British Museum, 1851,0901.782

Spencers were clearly the rage for well over a decade, turning up in satirical prints from at least 1796 (We’ll get to that satire soon). I was wrong when I questioned the Maine catalog record that called a man’s short coat a Spencer: there were Spencers for men.

Here, everyone is wearing a Spencer down to the monkey and the dogs. What I find particularly interesting is that the short Spencer jacket is worn over the men’s coats– this is an entirely new concept to me. Yet, here it is again, in the “Pupils of Nature” print.

Pupils of Nature.hand-colored etching published by S W Fores after Maria Caroline Temple, 1798. British Museum, 1867,0713.409
Pupils of Nature.hand-colored etching published by S W Fores after Maria Caroline Temple, 1798. British Museum, 1867,0713.409

Were Spencers were the 18th and early 19th century equivalent of Members Only or Barracuta jackets? (You will know a red Barracuta–even if you think you don’t.) Perhaps. They do seem to be a splashy unisex fad in the late 1790s that gives way to women’s wear, but that’s a thesis in need of more research than Frivolous Friday demands or permits.

Shark Tank

I’ve been thinking a lot about Watson and the Shark, at least when I am not thinking about the Raft of the Medusa, make of that what you will.

Here’s why: Waistcoats. Shirts. Open Jackets.

Detail, Watson and the Shark. MFA Boston 89.481
Detail, Watson and the Shark. MFA Boston 89.481

As you would expect from recent reports, the Young Mr has outgrown almost everything he owns, with the exception of his shirt. I put a lot of time into that blue wool jacket, so I’m not ready to sell it on Etsy yet, but I do have to replace it. Sewing new things means I get a chance to look again at sources for inspiration, and to do better this time around.

Since we’re in summer, I’m thinking blue linen, since I have access to very local inspiration in the form of Oliver Hazard Perry’s short jacket. But for earlier ideas, there’s Copley. I particularly like the horizontal stripe on the waistcoat, and what seems to be a striped shirt. Striped shirt! How exciting is that?

I’m thinking striped trousers, based on a Massachusetts letter, but we’ll see how far I get with that. The final deciding factor in wearing, of course, could be striped trousers are better than no trousers.

Winter Amusement

Winter Amusement: A View in Hyde Park from the Sluice at the East End.Aquatint, printed in color and colored by hand, 1787.Print made by James Tookey. YCBA  B1985.36.609
Winter Amusement: A View in Hyde Park from the Sluice at the East End.Aquatint, printed in color and colored by hand, 1787.Print made by James Tookey. YCBA B1985.36.609

I count myself among the people sick of winter in New England, but the piles of snow and wretched driving have prompted some comments from the Young Mr, including “Well, it would be worse in the 18th century, right?”

16314413949_fca9e1de44_zHaving recently walked on a combination of cleared, partially cleared, and uncleared walks, I’m not so sure…but I was in modern boots, and not my leather-soled repro shoes, which I prefer not to expose to the variety of modern snow-melting chemicals, though they can be cleaned.

Still: the partially cleared and unsalted walk was easier to walk on than you might imagine, and I suspect that the 18th century tasks of clearing steps and paths to make room to walk or drive carts, wagons and carriages was probably reasonably effective– though the melting must have been more annoying and messy when mud season arrived.

In all this cold and snow, how did people keep warm and stay fashionable? For gents, of course, greatcoats were an option, and cloaks or mantles for women, both in the last quarter of the 18th century and into the 19th. I found documentation for women’s Spencers and greatcoats in the first decade of the 19th century, but what about earlier?

detail,  Winter Amusement, 1787
detail, Winter Amusement, 1787

While I cannot (yet) place the coat at right in New England, you know I covet one.

Tail pleats with back buttons, a possible shoulder cape? I love the menswear styling of this coat, and the drab-and-black color combination of coat, gown and accessories. I don’t have much call for 1787 clothing in my life (actually none whatsoever) but by the time I’ve patterned and made this coat (after many other things to finish), perhaps I will also have created a reason.

Winter frolics, New Year’s Eve party, 1788? Anything is possible, and time is better spent imagining fun than complaining about snow.

Frocks Coats in Providence

Saturday last saw the launch of History Space, the collaborative project of the Rhode Island Historical Society and the Newport Historical Society designed to help living history practitioners and reenactors acquire the clothing and skills needed to bring the past to life.

Many parts to a frock coat.

Scheduling being what it is, we plunged right in to hands-on work with Easy Grace and Comfort, a two-day man’s frock coat workshop with Henry Cooke. We saved enormous amounts of time in the workshop by having Mr Cooke cut coat kits for participants, and I know it was well worth every penny.

There is much less on-body fitting when Mr Cooke cuts a coat for the kid than when I do. (I think the Young Mr grows while I am trying to figure it out, but Henry cuts fast enough to head him off.)

Buckram and button stands
Buckram and button stands

The most painful part of the whole thing (if fitting is largely done) is stitching on the buckram interfacing and the button stand. The zig-zag stitch as demonstrated by Henry was fairly easy to get the hang of when you caught the rhythm, but the tightness of the Red Edge stand tested my needle and even my fingertips.

There were some complaints at one table, largely voiced by the Fifer Formerly Known as Lambchop, who awaits his 10th Mass name.

Sleevils!

We made it all the way to sleeves, which is impressive, considering that some of the gentleman had not made more than a haversack or knapsack before. But if you can backstitch, and have some help with your fitting, you can make a coat.

I happen to like sleeves, myself, stitching them up and setting them in the garment. I think it’s the three-dimensionality of them that appeals to me– and I like a good challenge.

And here we are: sleevil one.

It’s critical to pay attention, though, so you make one left and one right sleeve, and to keep track of them as you set them to the garment body. I sometimes mark mine with chalk, and have even pinned notes to the pieces when feeling especially daft.

I’ve made it to an assembled coat body and sleeves, with one sleeve basted on. Before Saturday, I plan to baste on the second sleeve and test fit sleeve set on the boy. I’ll also try to get pocket flaps made. Since I have a talk to write and a bedgown to finish as well, I’m probably dreamin’ big.

When this suit is done, the Young Mr will have a very nice blue ensemble that includes breeches (join in the fun here) and a waistcoat. I think he’ll look rather nice, and better than he has previously. I still want to make lower-class* clothes for him, but first he does need a nice suit.

*I said urchin, but Mr Cooke said urchins can’t be over 6 feet tall. Basking sharks are big, but in this blue-grey suit, perhaps the Young Mr will finally be a grey reef shark.