Documented Fantasies

It was three years ago on a warm August afternoon in the museum room we’d turned into a photo studio when I quipped, “All my fantasies are documented.” It’s been hard to live down ever since.

With Mrs B watching Miss B self-perambulate upon the sidewalk.
With Mrs B watching Miss B self-perambulate upon the sidewalk.

Documentation, research: we all do it, everyone who reads this blog does it. What matters is how you use it– or, maybe even more importantly, how well you understand how you are using your research. This past weekend was the Salem Maritime Festival, and round number three for me in the West India Goods Store (WIGS, which sounds far more political than it is). The year was 1804, and as you may recall, that required a new dress.

Reader, I wore it. And it survived!

Yes, it is made from an IKEA curtain. The pattern is my own, derived from examples in Janet Arnold, at Genesee, and the KCI. Once again, I discovered the power of upper body strength and leverage. It’s not that my stays are too big necessarily. The busk is too long, that I will grant you. But I think the shoulder straps are as well, and the shift– that slattern! She was rolling a la Renaissance Faire, which is completely unacceptable, of course, as she slid down my right shoulder by the end of the day when the shop had been unpacked into the conveyance.

So let us focus on the non-slattern part of the day, when a mercantile enterprise briefly overtook the WIGS.

There was some custom, though numerous debts were recorded in the ledger.  (Somehow, there are no images of Mr K sweating over the figures in the book, though I recall them clearly.)

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The shop was hot, but we attempted to stay fed and hydrated, as we discussed the various kinds of goods imported to places like Salem and Providence in 1804. Politics were rather difficult to discuss, as Mr K has a marked antipathy for Mr Jefferson that caused a mild agitation; expanding the country does seem a bold and perhaps unconstitutional move, given the deal Mr Jefferson has struck with Bonaparte, but perhaps this is for the best. The Indians will surely benefit from Christianity and education.*

It’s engaging in the moment, and we’ve done our research. But it’s a fantasy nonetheless, a kind of happening grounded in primary sources and material culture. I’m OK with that– I understand what I am doing– but I wonder sometimes if the people I’m watching on social media understand what they are doing with the fantasies they portray.

 

 

* To be SUPER clear, I’m staying in character here. I worked in Missouri and I have enough understanding of “manifest destiny” to disagree with this point of view.

Friday’s Fright: A Dress in White

The Frightened Girl, oil on canvas by Cephas Thompson ca. 1810. MFA Boston, 1986.397
The Frightened Girl, oil on canvas by Cephas Thompson ca. 1810. MFA Boston, 1986.397

Two paths crossed for me this week, both in the early Federal era. Cephas Thompson, a self-taught New England painter, recently became very interesting to me. Although he grew up in Massachusetts, Thompson painted extensively in Virginia, but also in Providence, so of course the story resonated with me. But even more than the story, I loved the images. What a show the portraits would make– and he seems to have painted miniatures as well– so when I met with a local preservationist who turned out to be a fellow art school fugitive, wheels began to turn.

“What clothes!” my new friend said.
“I can get you a room full of people in those clothes,” I replied. And what fun would that be, a gallery opening where the people in the portraits appear to have come to life? Beats the pants off mere mannequins, but keep your Cossacks on: this one’s gonna take a while. In the meantime, what about those clothes?

Salem Register, July 14, 1803.
Salem Register, July 14, 1803.

Saturday marks the third time I’ve been part of the Salem Maritime Festival, and once again the West India Goods Store will be the base of operations for a mercantile enterprise. Millinery has its charms, but this year, the park historian shared fascinating notes on “She Merchants” of Salem, and the Hathorne sisters really intrigued me. Drunk Tailor dug into online newspapers (harder than ever to access remotely) and found an 1803 issue of the Salem Register

That’s an incredibly helpful list of goods to sell (and to pack from the Strategic Fabric Reserve), but a new year means a new dress, of course, and for reasons still not entirely clear to me, this seemed like exactly the right time to wear white. That’s sort of where Cephas Thompson comes back into play: white dresses.

Mrs. Cephas Thompson (Olivia Leonard). Oil on canvas by Cephas Thompson, 1810-1820. MMA, 1985.22
Mrs. Cephas Thompson (Olivia Leonard). Oil on canvas by Cephas Thompson, 1810-1820. MMA, 1985.22

There’s a pile of white cotton and white linen on my table, ready to be packed up this evening: with the dress on for a fitting, I felt like a bowl of whipped cream, the red silk Spencer and scarf the cherry on top. Happily, white and red are documentable to New England, though I would be mortified to be as frighted of a garter snake as the girl in Thompson’s painting. Strawberries and coffee are entirely different, and I shall probably require a bib for Saturday, lest my whipped cream be spoilt.

Forsaken Friday: a love letter from 1800

Once again, I begin to consider What Cheer Day, and, feeling uninspired, I turned to primary sources, thinking that reacquainting myself with the characters might prove useful. Among the documents I read today was this letter written by Carl F. Herrreshoff (late of Prussia, but now in New York) to Miss Sally Brown of Providence.

New York 17th June 1800

I hasten my dear Sally to answer three of your letters, two of which, one by Gideon and one by the mail, I received yesterday. I am glad to know you at your favourite place, and the more so as I am well convinced you will think of your absent friend on visiting those spots where we have been so happy. That moments like those should ever return, I thought it folly to hope until a few weeks since; a little lonely spot, where I would quietly reflect on what is past and love you with a pious resignation, was all I dare to wish for, but my love is too powerful for my reason, one beam of light was sufficient to give another turn to my imagination, and your last letter has compleated it. I begin already to see a chain of melancholy days in my solitude, I begin to think myself entitled to more happyness, what ever reason may say to the contrary; but taught by sad experience, like you my dear Sally, not to anticipate much happyness, I shall guard my heart from being to sanguine.One happyness I am not however determined to enjoy, let the consequences be what they will. I will see you, dear excellent girl, I will hear it confirmed from your lips that your heart is above the caprices of fortune, that it is as constant as my own. But though I feel now as much alacrity to obey your command as ever, it is not in my power to do it immediately. I have fixed to go to Philadelphia for a few days; I shall be as expeditious as possible, and on my return the first packet shall convey me to you. I rely on finding you at Point Pl. for I feel very averse to go to Providence. Ursus is in the same condition with your little mare, and I have sent him to the pasture, but I will try to get another horse.
Think of your promise: let me find you in good health and spirits; as for my own health, though never blooming, it is very strong, it have never been really affected from all my mind has suffered these ten months past, and since I have entertained the prospect of meeting you again, I feel as if there had been a great change in my fortune.
I lament that our pleasure will be chilled by the situation of poor A. Let us be ever so good we cannot escape our share of misery in the world, every one must have his turn.
As for your request regarding H I assure you, that if
I made a confident of him in matters which concerned you, it was of my own sentiments merely.
Adieu my charming little Sally, I expect a letter from you dated from Point Pl. forget not to direct all your letters in future to the care of John Murray & Son. Is Mr Coggeshall’s house still a tavern in Bristol? You shall soon hear again from

Your sincerest friend
Herreshoff

I think it proper to write to your father before I go to Providence, are you not of the same opinion & if I should write from here, before I receive your answer, I shall enclose my letter in yours.

Carl Herreshoff to Sally Brown, 17 June 1800.
MSS 487, Herreshoff-Lewis Family Papers
RIHS Manuscripts Collection

A month after this letter was written, “poor A.” gave birth to her first daughter, Abby Brown Mason, a day after marrying James Brown Mason, the child’s father. It was not until 1801 that Sally Brown married Carl Herreshoff, despite her father’s misgivings. John Brown never really liked his sons-in-law, and given his nickname of “Old Thunder,” you have to wonder how they felt about him.

For me, this letter full of longing and acquiescence to a powerful love, has resonance beyond its years. Distance is easier to overcome today, to a degree, but letters remain a poor substitute for a lover.

Mendy Monday

Best not to be shiftless, so mending was in order. I knew this day would come, and soon, and after doing the post-Genesee wash, the moment had arrived for this shift.

Simple, classic patching. I hadn’t expected to wear a hole in a shift quite this soon, but four years of wear whilst working and sweating have taken their toll.

It’s a toss up, now that it’s mended, as to whether or not I’ll shorten the sleeves. They’re too short for some of my gowns, but fine for others. Ideally, I’d make a second shift for this time period (early Federal) and third for the late 18th century. I’m somewhat concerned because I have taken a notion to make a new dress for Salem, which is just around the corner.

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Now, it’s not this dress– and this may be a pelisse, after all– but I’ve become pretty obsessed with this image, and decided, what with it being summer and all, to finally cave in and make a white cotton gown.

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~thanks to Mrs B for the image~

This is madness, of course, because I am not someone who doesn’t spill on her clothes or happily and recklessly carry strawberry-eating babies. White. Sheer. Really sheer. I don’t know what possessed me, but once I had the idea and the image to inspire me, I could not shake the notion of a white cotton gown for summer. Perhaps the recent heat is to blame: thin, white cotton seemed cool and refreshing. We’ll see how that goes in a little more than a week. Until then, bright light and fine stitches keep me busy.