Once Upon A Time…

Betsy Ross and friends: A Child Guidance Educational Activity
Betsy Ross and friends: A Child Guidance Educational Activity

This is the third set of these paper dolls (Educational Activity) I have owned. The very first set was given to me by my mother, Lo, at the Dawn of Time, in the Dark Ages known as the 1970s.

I wore them out.

A new set was purchased, probably once again at Marshall Field’s, possibly in the book department. They now reside in an attic outside Philadelphia (how appropriate).

From this Educational Activity flowed many more home-designed outfits and home-made paper dolls of historical and literary origins, which have led to this moment, when I make myself and my family into historical characters, make us outfits, and set us in motion with friends and colleagues in scenes of historical play-acting, by which I mean Educational Activity.

Cooking at Saratoga: very Educational. Photo courtesy D Molly Ross.

I like to think that the clothing we wear is more correct than the “Authentic Costumes” advertised on Betsy Ross’s box, but there is always more to learn. I am in no way denigrating Betsy Ross, or paper dolls, or suggesting that I see my family, friends and colleagues as paper dolls. But I do know that as long as I have been playing, I’ve been playing history and reading history, and drawing history, and using books and paintings and yes, even paper dolls, to figure out the world present and past.

If January Jones played Betsy Ross...
If January Jones played Betsy Ross…

Even though I always thought I wanted Betsy’s birthday cake gown, the one I really liked was the work gown. The “construction” of her garments confused me even as child: how the heck does that kerchief work? And the bodice front? Never mind, have a slice of dress, I mean cake. (Field’s had a cafeteria that served slices of pink-iced layer cake that I somehow conflated with the paper dolls, thanks to the shopping trips my mother and I made.)

Memory and fact, impression and citation: when we reenact the past as an Educational Activity, we should remember that some will walk away enlightened, and others will walk away thinking about birthday cake. Our job, beyond getting the facts right, is to engage our visitors, to interest them, and to excite their imaginations. What they do from there is up to them, but we will know that we have done our best to present them with a scene that can take them one step closer to being there.

The Birth-Night Ball (a preview)

Fully done up.

Photos by a real photographer won’t be available for another two weeks (patience, Iago, patience) but  Mr S and I had a lovely time, high-heeled shoes excepted. The gowns were dramatic, the gentlemen dandy, and the dancing elegant, if bumpy at the start. There are some videos here, both of the assembled company dancing, and of the lovely minuet demonstration.

Selfie, and ready for bed!

I managed a phone photo just before I crashed into bed, and am generally satisfied with how the dressed-up laundress appeared. Clearly my laundry business is doing very, very well, or I have liberated some earrings from a client. One of the most challenging things about this event (aside from my over-thinking freak outs) was not having a persona to hold onto. We started reenacting as lower-class 18th century types, and spent some time as tenant farmers and maids. Mr S and I do not have clothes for the gentry, but can inch into the middling sorts when we want to.

That’s fine, and it’s comfortable– we’ve not yet really reached all the way down the lower sorts, either–but it does mean that when we’re presented with the opportunity to dress above our station, the need to really understand the new station kicks in, and delays the process.

I’ll finish that silk sacque someday, and sooner rather than later, but I’m glad I held off so I can really get the gown right, as well as the shoes, hair style, and other accessories.

Hair-raising

An old gown, with new sleeve ruffles and petticoat.
An old gown, with new sleeve ruffles and petticoat.

We are going to a ball tonight, and while I am looking forward to seeing Sew 18th Century and the lovely Mr and Mrs B among other friends, this is a different kind of experience for Mr S and me. We are, after all, more accustomed to crashing parties than attending them. (There are photos of the Riot Act Night here.)

The biggest difference is in presentation. I ended up making a changeable blue silk petticoat to dress up a cotton print gown, to which I’ve added sleeve ruffles made by the incomparable Cassidy. While I once had plans–dreams–of finishing and wearing the silk sacque in time for this, I was overtaken by events  and have settled for an ensemble more suited to my persona, and Mr S’s planned outfit, the Saratoga coat and breeches. I feel just OK with center front closing cotton print for late 1777, and have seen enough cotton print gown and silk petticoats at Williamsburg to brazen it out.

This is a marked upgrade from linen petticoats that smell like woodsmoke (sigh!) and print neckerchiefs that you shouldn’t smell.

Perhaps the biggest change, though, is to my hair. (Yes, the pun is finally paying off, like a loaded gun in the first act.)

All cleaned up with someplace to go.
All cleaned up with someplace to go.

I started this day with wet hair, curlers, setting lotion and bobby pins, swearing like a sailor and convinced/hoping the world might end right in our bathroom. Last night I watched Jenny La Fleur‘s 18th century pouf tutorial, and thought I had the basics down.

Wrong. Or half-wrong. I should have gone looking for a don’t-lose-your-mind video, plus one on how to make pin curls in exacting detail. True to my ability to over-think anything, I began to wonder which way I should spin the pin curls– clock wise? Counter-clock wise? Is it opposite if you’re in Australia and New Zealand? My brain is a cluttered place.

In under an hour I had achieved a lop-sided mound of curlers and curls, which I thoughtfully covered with a kerchief to spare my family from death by Medusa. They refused to take me to Walmart, though I finally had the hair for it. Eventually, I pulled out half the bobby pins in the known universe, and had a head full of snakes. Silver snakes. Apparently there’s more grey in my hair than I realized.

Another half-hour of pins and hairspray later, I had a slightly more upscale version of my usual hair style, accented with a shiny green ribbon. Underneath that demure cap, my hair is doing terrible, feral things. Of all the things I learned today, I know with certainty that despite my small head, the next time I’m gonna need bigger rollers, and when I get home from the ball, I must wash my hair.

Pinner Aprons

Mr & Mrs Thomas Sandby. Watercolor by Paul Sandby. RCIN 917875, Royal Collection Trust.
Mr & Mrs Thomas Sandby. Watercolor by Paul Sandby. RCIN 917875, Royal Collection Trust.

On Saturday, Sew 18th Century and I went out for lunch and fabric shopping. Along the way, I brought up pinner aprons, and that I’d seen them in British prints. She said, “You should blog about that!” and I went back to check my sources. Fail! There was an English print after a French original, and that doesn’t count!

So I shelved that idea, and went about looking for more Paul Sandby images of soldiers and maids and tents, and found instead Mr and Mrs Thomas Sandby. Ahem. Pinner apron alert.

Fluke, right? Well, no, not exactly.

Lady Chambers and child. Watercolor by Paul Sandby, RCIN 914409. Royal Collection Trust.
Lady Chambers and child. Watercolor by Paul Sandby, RCIN 914409. Royal Collection Trust.

Because here is Lady Chambers and child, with Lady Chambers in a pinner apron.

The thing to note, though, is that “apron” here is a decorative, almost ceremonial garment made of black silk, while the maid engaged in Domestick Employment is wearing a working garment of [probably white] linen.

Domestick employment, washing. Mezzotint by Richard Houston after Phillipe Mercier, 1736-1775. British Museum 1876,0708.23
Domestick employment, washing. Mezzotint by Richard Houston after Phillipe Mercier, 1736-1775. British Museum 1876,0708.23

Well, can I wear a pinner apron as a Continental army laundress or not? Probably not, though I will be going back through all the images of laundering I can find. It would be so useful and protective a garment!

No, instead, it looks as if the black silk pinner apron was a fashion adopted by the British upper class probably in imitation of the aprons worn by young girls. These fleeting, black silk accessories were probably adapted to some other use when the fashion had fallen from favor. (You could make a lot of mitts out of one of those.) Sadly, I don’t care enough about the elite to go chasing inventories and more images, but someone else can. I think I have seen a few other examples of this style, but cannot immediately place them. My sense is that these are not common.

I’m much more interested in laundresses and maids. Doesn’t she look sassy? We could call her Bridget. 

A country girl, full-length, facing front, leaning against a fence & a tree. Watercolor by Paul Sandby. RCIN 914438. Royal Collection Trust
A country girl, full-length, facing front, leaning against a fence & a tree. Watercolor by Paul Sandby. RCIN 914438. Royal Collection Trust