Measure for Measure

or, a boiled Flour Pudding in two tries.

Alone in my Ossining ca. 1962 kitchen, I decided to tackle Amelia Simmons. The first task seemed to be to establish measurements, and then proportions, so I took stock of the tools and containers I would have in a typical camp. Spoon, mug, half-pint: these are plausible items, though we have tin cups that hold exactly 8 ounces, so the measure is unnecessary. The spoon was cast from a 1780 mold, so it seemed like a reasonable place to start for “how much is a spoon?” It will hold exactly one tablespoon if you scrape it flat across or are measuring liquid. Handy to know.

Next, I checked the recipe again.

A boiled Flour Pudding.
One quart milk, 9 eggs, 7 spoons flour, a little salt, put into a strong cloth and boiled three quarters of an hour.

This is not a popular receipt, so you won’t find it on History is Served, nor will you find this version on other popular sites; you can find a boiled pudding with suet, but that’s not what I’m after: I’m after a receipt that starts with a portion of the ration of flour soldiers received, and adds only eggs, milk, and available seasonings.

You have to remember that Simmons corrected the 7 spoons to 9 spoons of flour and increased the boiling time; you also have to remember that eggs were smaller then.

redware mug and wooden bowl with egggs
Halfsies.

I thought I’d try a half receipt first. There are no directions as we think of them– American Cookery sometimes has that “put your lips together and blow” feeling–but this is not too complex. The eggs and milk must be beaten together, and then combined with the flour. For this first attempt, I got it a bit backwards, adding the spices to the eggs, which I beat in the large wooden bowl.

That left me scooping the egg-and-milk with the measure into the flour, which I had in a smaller wooden bowl, remembering too late the method for scones.

egg and flour mixing in wooden bowls
Fuzzy photo, fuzzy logic.

And then it was really too late: I added just too much egg-and-milk, and it became more like batter than dough. This was not correct, and I knew it, but I didn’t dump it and I didn’t add more flour. Now it’s clear that 7:00 AM is not my best time for baking experiments (it was also quite early the day I made gingerbread without any eggs).

pudding mixture in cloth
Well, it took a decent photo.

I buttered and floured a cloth anyway, and poured the mixture into it. After tying the gathered neck of the cloth with string, I boiled the whole business for 45 minutes.

I did not take a photo of the mess I found when I unwrapped the bag. It wasn’t pretty, and it was clear that while some portions of the pudding were ‘done,’ they constituted about 5% of the whole, which otherwise resembled steaming cottage cheese. Really, truly, awful.

But from time to time I am undeterred by my failures, and instead of consigning the mess to the trash and sticking with store-bought bread*, I rinsed the cloth and regrouped.

This time, I went smaller: 1 cup of flour (about five spoons), two eggs, and a scant two spoons of milk. I also managed to put the flour, salt, and allspice in the regular sized wooden bowl, crack the eggs into the mug and beat them there with the milk. When I mixed the egg-and-milk into the flour, the mixture was far too stiff, so I added more milk, but kept the mixture stiff.

pudding bag in boiling water
Patience is required for pudding

Once more into the buttered cloth, once more into the water, once more boiling for three-quarters of an hour. This time was better, though. The results actually looked and tasted much more like what I’ve had before.

sliced boiled flour pudding
A boiled Flour Pudding

So, where does this leave me? Knowing that I’m the only documented fan of this in the regiment, I’ll stick with the smaller receipt: five spoons flour; two eggs, beaten; and three or four spoons of milk.

My plan is to boil this in whatever stew or stew-like device we have for supper on Saturday, and then eat it sliced with the stew. The plain flour-egg-milk mixture will pick up some of the flavors of the stew (think dumplings), but these could also have been served with a sauce, if made at home.

I’m also going to go back to the Experienced English Housekeeper, and see what she has to say.

* Years in ceramics classes taught me to knead all the air out of plastic material, so my bread tends to be better for building than eating. Even the dog wouldn’t eat the biscuits I made while in grad school…

Who do you play with?

sad light infantry private
Don’t just sit there pouting…

Solving romantic troubles is not my forte, but just as your first crush may not be the person you spend your life with, the first living history/reenactment group may not be your last.

Some folks are serial joiners, just as there are people who engage in a series of medium-term relationships: as long as everybody knows what’s going on, things should be fine and no one will be set anyone else’s goldfish free and leave each other twisting in the wind. But some of us want a long-term home in history: what should we consider?

In no particular order, I offer the follow areas to examine:

Communication Style & Frequency
Surprised to discover members of your group at an event you thought they weren’t attending, so you went with someone else? Find yourself alone at an event that people said they were attending, but dropped at the last moment? Just because all life is like middle school, there’s no need to recreate scenes from Gidget in historic clothing: communicate.

Everyone requires different amounts of information, but after considerable time working, I think it’s hard to over-communicate. Folks, if it’s too many emails, hit the delete key. But if you do not get the basics– a list of events and potential attendees, reminders as the event approaches, coordination of food, canvas and powder supplies– and end up powderless and alone at an event, you may want to reconsider your allegiance.

Level of Activity & Engagement
“It’s just event after event after event,” whined the Young Mr last summer, and I hadn’t even made him march to Fort Ti and sleep under a brush arbor. Some people need to mix primitive camping in funny clothes with a few days at the beach, others spend their entire summers living life as old-school as they can. Some perform the classic turn-your-back maneuver described on Peabody’s Lament (pro tip: don’t do that!) while others actively seek opportunities to engage the public. Some like to be in first person, and others are always and only in third person.

Mummers at Major John Buttrick House
How many activities can you fit into your year?

What’s your preference? If you want to try immersive, first-person interpretations, you need a unit that will support that, and opportunities to try it out. And if you want to go out often, you may need some flexibility in time period and activity.

But even beyond the times when you’re dressed in historic clothing and working with the public, you want to be with a group that includes people who are set a variety of RPMs. If you’re all super-intense original garment/gear/methods copying maniacs, you might not be balanced. As a newcomer, you need an environment that mixes challenges and support– like a good kindergarten.

Authenticity Standards
On that super-intense original garment/gear/methods copying theme, if the group doesn’t manage to meet a certain level of authenticity, or is not striving to improve, and to learn and try new things, is that the right group for you? I find that a curious mind is a necessity, one willing to accept that research advances and what we thought was right in the past may be proven wrong.

The other key here is, how does the group help you meet standards? Are there workshops to help you make up kit or improve what you already have? How deep do the standards go: clothing only, or to camp set up? What about how you cook, what you eat, and what you eat it with?

Colonial breakfast on a rock
“Furniture”

Are the compromises people make balanced and understood? My family and I ar among the people who go to events in “wearable but not done” clothes, and that’s OK in our world. While we have period shoes, they are not always perfectly correct: the gents wore buckles in 1812 and the Young Mr definitely doesn’t get a second pair of shoes until we know his feet won’t grow larger than they are now….

Interpretation and Imagination
Did you have one, maybe two, really-really best friends in grade school? Did you play dress-up, imaginative games, engage in narrative play? Did you enjoy the school play (and insist on leading the writing of a research-based script)?If you did, you are probably looking for folks who played the way you did as a child.

Esther takes Mr Herreshoff's case to his room
What kind of interpretation do you prefer?

Good interpretation requires that someone in the group have an active and vivid imagination, and that people are willing to take risks. Interpretation is a risk: will this portrayal of a captain’s death, a washerwoman’s trial, a wayward apprentice’s punishment, actual work? Do we trust each other enough to slip into new roles?

Trust is key: will the other people in the group bail you out if you freeze, encourage you if you run with an idea, and meet you in the same moment? You will have to spend time with people to find out how well you can all play together but, happily, you will quickly learn if you cannot. If your questions about who you are, why you are in a place, and if you should be wearing a 1781 coat at a 1777 event are rebuffed, you may need to consider other options.

Another time: What are your options?

The Coats of August

Coat, Nantucket Historical Association, 1985.0068.001

I could have a coat problem so very easily. Look at that coat!

I was looking for something else when I came across this coat. Pity my friend who got the excited, “Who do you know on Nantucket?” text message, because after I saw this coat and couple others, I was checking out the high speed ferry schedules. (They’re not too great; I’d need to stay overnight at least one night– poor me, right?–which means this must be a winter visit.)

Once you’re hooked on 1812, it’s hard to travel back in time, but travel back I must, for Bennington is just a little over a week away.

What am I thinking? Well, in my madness and in the face of the enormous growth of the Young Mr, here I am thinking Coats in August.

Paul Sandby, 1731–1809, British, London Cries: A Fishmonger, ca. 1759, Watercolor and graphite on medium, cream, slightly textured laid paper, Yale Center for British Art, Paul Mellon Collection
Paul Sandby, 1731-1809, British, London Cries: A Fishmonger, ca. 1759, Watercolor and graphite on medium, cream, slightly textured laid paper, Yale Center for British Art, Paul Mellon Collection, B1975.3.210

I know, Bennington/Walloomsac is 1777, so why am I looking at 1759 coats? Because I’m thinking a short-skirted workman’s jacket for the kid, of striped linen, rather than another frock coat. My plan–such as it is– is to alter the  pattern I know fits him to make these shorter skirts…we’ll see how this experiment goes, and hope for fewer than six toiles!

By next Friday night, I need to complete:

  • One new coat, from a newly drafted pattern
  • One new waistcoat
  • New buttons for a waistcoat
  • Alterations to breeches including new buttons and new knee bands

That doesn’t seem so bad, does it?

The Milliners’ Shop

One of the Milliners Stands in the Doorway
One of the Milliners Stands in the Doorway

On Saturday last, Sew 18th Century and I set up a milliners’ shop for the Salem Maritime Festival. This was a fun event made even better by the opportunity to set up shop in an actual shop!

We started working on this project in the Spring, and kept working on it almost until it was time to pack for the trip.

Some of our goods, with the delightful Miss A
Some of our goods, with the delightful Miss A

Milliners carried a wide range of goods designed to entice customers into the shop where they might purchase a new trim, ribbon or sash while admiring newer bonnet styles or fresh yard goods. Even in the 18th and 19th century, retailers new the value of repeat customers and impulse purchasing.

DSC_0238

Customers of all kinds came to our shop, some for retail trade, and some for wholesale. Mr JS is a weaver, and has offered plain and check linens by subscription– and I think our shop can do well referring custom to him. He was far more genteel than the sailors who came in– three times they visited, offering us money, but not for our bonnets!

Fresh from a privateer, Mr G and his crew mate stomped up the steps and made several untoward propositions, even daring to shake a bag of coin! Later they tried to entice a studious apprentice to join them, but fortunately he is a dutiful and serious lad with a thought for his future, and he declined their offer. At last Mr S was forced to confront these sailors on the waterfront– I think we shall soon require a committee of safety to patrol our streets and regulate the ruffians.

Mrs B examines some of our trims

Other customers shopped for trims and accessories. Mrs B is always fashionable, and one of our best customers. She sets a standard for refinement and style in our town that few can match.

cropped_Matt

Her husband is an officer in the Navy, and I fear sometimes he is startled by the bills– though he always pays, I think he may be surprised to see how fashionable we have become in Salem.

The bandbox maker, Ms M, set up in our shop as well. I do highly recommend her boxes as the finest made and best decorated that can be had. Bonnets and hats do not come cheap, and you do well to protect them.

In the late morning, I paid a call to Mrs B, and took tea. The coffee jelly was exquisite, molded in the shape of fish– very clever indeed– with marzipan fish and a rice pudding. It was a delight to all the senses, though sadly I had to hurry back to the shop. It is a great responsibility to keep a shop.

Shop window at the West India Goods Store
Shop window at the West India Goods Store

Thank you so much for visiting and for trading with us! Do come back soon, as we are certain to have new goods of interest to delight you.