Checked Linen Aprons post-1800

Not that this is an exhaustive or final chronicle, but Jackie asked about the apron.

Spring Cleaning, 2012
Spring Cleaning, 2012

I first encountered this form of apron at Old Sturbridge Village, on display in the Firearms and Textiles exhibit space, which I think of as “Muskets and Muslins.” The accession number given on the exhibit label was 26.39.4, but the object does not appear in the OSV online collections database (they do warn that it contains just a selection of their total 60K-plus object holdings). The original at OSV, as sketched and described by me in April 2012 has a drawstring at the neck, straps that button, string at the back opening, and is slim, without gathers. That means the bodice is very similar to the gown bodices of the early part of the 19th century.

Smock, Checked cotton, Pocumtuck Valley Memorial Association. #2000.01.869.
Smock, 2000.01.869 PVMA

There is another original checked bodiced apron in the Pocumtuck Valley Memorial Association collection in Deerfield, MA. This original appears in color in The Needle’s Eye by Marla Miller. As you can see in the images of my apron, I mashed the two styles together to suit the amount of material I had on hand, the skills I had three years ago, and the amount of time I had between seeing the apron and the day of the program, which was probably two days during which time I had pleurisy.*

This is also wrong, but funny.
This is also wrong, but funny.

To refocus: I chose to wear this apron at Whitehorse House in 1820 for a really wrong reason: it was what I had.

Prints in the British Museum show a maid in a yellow gown with a black apron, no bib; there is another, with a maid in a green gown, in a wikigallery, that I could not fully track down; a London Market scene; and a French print from 1818 that does show a bibbed black apron on a shop assistant. The visual research I’d done for the 1820 program suggested that black aprons were the height of fashion, and that they did not always have bibs.

Papering the Saloon at Tickford Hall, watercolor by Diana Sperling, 1816.
Papering the Saloon at Tickford Hall, watercolor by Diana Sperling, 1816.

Since we deal in confessions here, I will tell you that I did buy material for a black apron, and I planned to make a strapped or bibbed one, much like the one Sabine made. The appearance of the dark apron in Diana Sperliing’s watercolor of the ladies papering the saloon at Tickford Park put the dark strapped and sometimes bibbed apron the in English-speaking world. And still I did not manage to make one. If I were to do an 1820 program again, or even an 1813 or later millinery shop again, I like to think I would find the time to make a black strapped and possibly bibbed apron. I do think they were the height of fashion, and are likely to have been worn by women in shops, and by maids.

Do I think the checked apron is wrong? Given that I can rationalize anything, of course not! I think a checked apron is probably reasonably appropriate within the context of a kitchen, even in 1820, especially in New England. Since we did not cook on Saturday, the black apron would have been ideal, but I think the checked apron passes. To make it pass with a higher grade, I will freely admit it requires button and tape upgrades. Since the next dates on the horizon are 1775 and 1780, chances are good those upgrades won’t happen anytime soon. * Do not attend an all-day outdoor event in the cold when you are not well. Do not attend said event without your cloak, or in stays you have laced up a little too firmly. Do not deny that the cold you have might actually be the start of something bigger, when it includes a productive cough. Lo, the lessons of living history are many.

An Afternoon in N’port

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New coat!

I set off for Newport yesterday to spend the day at Whitehorne House with Sew 18th Century. I was pleased to have my coat, and pleased as well to see the ads for “lead colored pelisse cloths” at Nathaniel Sweet’s shop at 112 Cheapside in N’port. Everything fits better when you have some documentation.

We occupied the kitchen at Whitehorne House, interpreting the lives of mythical maids and cousins Eliza and Kitty Smith.

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The Whitehorne Kitchen

We hope to save enough to reopen our millinery shop, which flourished once in Salem just a few years ago. Times are hard in Newport, but there are some promising lotteries–a $10,000 prize in the Kennebec Bridge lottery and an incredible $25,000 prize in the New York Literature Lottery! We will have to save our wages to buy even one ticket– difficult to do with so many tempting’ wares in the shop–but the rewards would well worth our efforts.

A shop on Thames Street is to let not far from the Great Friends Meeting House. We think ’tis a fine location, for while Friends may be plain, they are well dress’d. One of our visitors offered to spread the rumor that the shop is haunted, so no one else will rent it, but I worry that such a tale might drive off custom.

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Gingerbread, bread-and-cheese and apples form’d our repast

Visitors called from as far away as New Jersey, New York and Connecticut, but found Mr Whitehorne at the Coffee House and Mrs Whitehorne out makin’ calls. As prominent citizens, they are busy about the town. Mrs Whitehorne is well-known for her receipts, and we were pleased to offer callers a sample of her fruited gingerbread. Indeed, ’tis delicious, though not as sticky as the late Mr S preferred.

Some visitors thought our plan to invest in woolen mills was a fine idea, and in addition to the mills on the island (there is one in Portsmouth), we hear there are several in Hartford. Providence has not the monopoly on industry she imagines.

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There is much washin’ and mendin’

The laundry does pile up in a household of seven children, and since we have run out of wood, I suspect the laundress has as well. The island is short of lumber now, and wood must come from Swansea. Still, there is always mending’ to be done.

Perhaps if we had known how many visitors would call, I might have taken more care in tidyin’ up the kitchen. ‘Twas a surprise to see so many, from so far away, but we do think N’port is due for a revival. ‘Tis a busier day of visitin’ than I was accustomed to in winter at the farm on Poppasquash Neck, but with Mr Smith now dead, and our lad on a brig in the coastal trade, we could not keep the lease. I am grateful to my cousin for helpin’ me find work in such a lovely house.

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A Valentine’s Puzzle Purse

Puzzle Purse Valentine. RIHS Graphics Collection Lot 42
Puzzle Purse Valentine. RIHS Graphics Collection Lot 42

Here’s a nifty little thing you can make: A puzzle purse. This is from the collections of the Rhode Island Historical Society, but the form seems to have been fairly common; I know I’ve seen other fancifully-folded letters.

Because I’ll be spending Valentine’s Day in 1820, I thought I’d try to replicate this token. News on how it turned out later… I don’t feel clever enough to write my own verse, but here is the Rhode Island example transcribed.

My love is true to none but you
My heart expires for your sake
And if you don’t me pity show
My true and tender heart will brake

Here a question you will find
A sweet question you will find
Sweet is the question mark it well
Heart upon heart and so farewell

My Dearest dear and Blest Devine
I’ve pictured here your Heart and mine
But Cupid with his fatal dart
Has deeply wounded my poor heart

There between us sat a Cross
Which makes me to Lament my loss
But I am in hope when the Cross is hone
That both our hearts will be in one

My heart is fix’t no more to Range
I like my Choice to well to Change
Oh that my Heart to yours could meet
Then all my joys would be compleast
If you take this in disdain
Pray send it back from
Whence it Came L M

Winter Amusement

Winter Amusement: A View in Hyde Park from the Sluice at the East End.Aquatint, printed in color and colored by hand, 1787.Print made by James Tookey. YCBA  B1985.36.609
Winter Amusement: A View in Hyde Park from the Sluice at the East End.Aquatint, printed in color and colored by hand, 1787.Print made by James Tookey. YCBA B1985.36.609

I count myself among the people sick of winter in New England, but the piles of snow and wretched driving have prompted some comments from the Young Mr, including “Well, it would be worse in the 18th century, right?”

16314413949_fca9e1de44_zHaving recently walked on a combination of cleared, partially cleared, and uncleared walks, I’m not so sure…but I was in modern boots, and not my leather-soled repro shoes, which I prefer not to expose to the variety of modern snow-melting chemicals, though they can be cleaned.

Still: the partially cleared and unsalted walk was easier to walk on than you might imagine, and I suspect that the 18th century tasks of clearing steps and paths to make room to walk or drive carts, wagons and carriages was probably reasonably effective– though the melting must have been more annoying and messy when mud season arrived.

In all this cold and snow, how did people keep warm and stay fashionable? For gents, of course, greatcoats were an option, and cloaks or mantles for women, both in the last quarter of the 18th century and into the 19th. I found documentation for women’s Spencers and greatcoats in the first decade of the 19th century, but what about earlier?

detail,  Winter Amusement, 1787
detail, Winter Amusement, 1787

While I cannot (yet) place the coat at right in New England, you know I covet one.

Tail pleats with back buttons, a possible shoulder cape? I love the menswear styling of this coat, and the drab-and-black color combination of coat, gown and accessories. I don’t have much call for 1787 clothing in my life (actually none whatsoever) but by the time I’ve patterned and made this coat (after many other things to finish), perhaps I will also have created a reason.

Winter frolics, New Year’s Eve party, 1788? Anything is possible, and time is better spent imagining fun than complaining about snow.