Documenting Mr S

The guys are usually easy: they wear what the sergeant tells ’em to wear, and they like it, because that’s what soldiers do.

Mr S in Cambridge

Sergeant’s not a sergeant in quite the same way in 1774-1775: he’s a militia sergeant, and while we can still get up to tricks that get us yelled at, the clothing we wear is more personal. Mr S’s clothes seemed, at first, to be completely undocumentable.

Really? Yes, I have been known to have some anxiety issues over small matters. So I calmed down, re-read the standards, and looked again.

The shirt is checked linen, see here for details. The stockings, which will be replaced by hand-knit blue stockings, are also documented to Rhode Island.  But wait! That’s 1777, can it count for 1775? How long do stockings last, anyway?

I’ll own up to having been described as “literal and precise,” and I’m taking that comment to heart. Reader: literal is where one gets into trouble when one is precise. Literal interpretations can lead you, almost hubristically, into creating replicas of runaway ads  or extant garments that don’t reflect who you are, or what time you are portraying, not really.

bluestockings_whitebreeches
Boston Post Boy, 7/25/1774

But not to worry, I dug up the blue stockings. This is from the Boston Post Boy, July 25, 1774. “White Linen Breeches, blue yarn stockings.” This is not too bad: Mr S has got his basic extremities covered now. It’s hard not to be distracted by the Cotton Shirt with Linen Sleeves, which reminds me of women’s shifts with finer sleeves, or sleeves to pin on.

browncamblet Waistcoat 7-4-1772 providence
Providence Gazette, 7/4/1772.

Keeping focused, let’s get Mr S more fully dressed, more proper, and warmer, since this is late August. You can’t see his waistcoat under the green jacket, but here you can. I know this broadcloth fabric, and its color, are from the acceptable palette for the last quarter of the 18th century, but can I find one in Providence or Massachusetts? Just about. The waistcoat described in this ad is camblet. There’s no goat or camel in Mr S’s camel-colored waistcoat, but I think we’ll call it found and be grateful that Mr S has not taken any action despite the numerous photos I have posted of him in various “poofy shirts” and “funny outfits,” as some of my friends describe them.

What’s left? There’s John Appleton’s ad in the Essex Gazette of May 17, 1774 for “blue, green and cloth colored bandannoes,” which pretty much takes care of the neck cloth; we’ve a brownish one, and a blue one; the Young Mr likes the orangey one, but I think we have those documented.

1774_greenJacket
Essex Gazette, 12/6/1774
1774_Prov_greenJacket
Providence Gazette, 1/29/1774

The green jacket, that’s what’s left. In the Essex Gazette of December 6, 1774, we find a “green jacket, light breeches, and yard Stockings,” much like what Mr S is wearing.  Nice! Multiple sources of documentation for items are always welcome chez Calash.

And, knowing that, you will not be surprised that I have found another jacket, closer to home. In the Providence Gazette of January 29, 1774, the man with the “proper hair mole” runs away in a green jacket. He’s also got leather breeches, and they’re on my wish list, though other things must come first, given their expense–things like tires, and allergy drops for the Young Mr.

The Authenticity Challenge

We’re going up to Minute Man on August 24, or at least that’s the plan. We have hostages to exchange (one ends up with other folks’ spoons and bowls when one does the dishes) and drilling to do for the September 28 event in Boston.

Immediately after Sturbridge, the authenticity question blossomed on the interwebs, as there was an unusually fine crop of bodices on view in the village that weekend. (To be clear, I am pro-authenticity and anti-bodice, but I am still working over my thoughts on authenticity, which veered into hermeneutics, and are therefore not really germane to the conversation.)

Authenticity and standards are in the ether, and for this year’s event, all participants are asked to provide documentation, not just the people taking part in the challenge. I plan attend but not to partake of the challenge, as I have no desire to relive my childhood of never-even-third-place, thank you. Instead, I’m merely queasy and scrambling, as the only person in our household who seems really documented to me is the Young Mr, with his snuff-colored trousers  currently under construction, and two jackets from which he may be able to choose (presuming I get all buttonhole inspired). So he’s good. Run away!

I’ve been working on a ‘secret’ gown that’s not totally secret, but don’t feel I can adequately document it for this event. I have examples of the fabric advertised for sale, and a period print. But so far, the only gowns of this fabric type described in runaway ads have dark grounds. Granted, servants might tend to wear darker, more dirt-hiding colors, but I don’t feel that one print and some wrong-ground ads are enough. Next!

Anne Carrowle is Philadelphia, not New England: she’s passable for Monmouth and other Mid-Atlantic events. Chintz jackets: also fine for those runaway Dutch servants in NY and Philadelphia. Next!

Brown wool seemed too heavy for August, but the way the weather has been of late, maybe not. Well, anyway, it could get hotter. Next!

1772 red pompadoreThat leaves me with the New Favorite Gown, which I like, but which is based on an earlier British watercolor, so must be slightly altered at the sleeve or cuff as well as documented. At first I could find nothing to suggest that the color and fabric were within the realm of documentary possibility. Eventually I did find an ad in the Newport Mercury for what might be a likely candidate.

“Ran away on Sunday the 19th instant, from the subscriber at Newport, an Irish indented maid servant, named Elioner Clievland, pretty tall, who is very corpulent, with a red complexion, brown hair, and has a scar and a large dent in one of her arms, had on a red pompadore gown, and light broadcloth cloak: ” Newport Mercury, 8-10-1772

claret poplinTwo years later, “ a likely tall Negro Woman, known by the name of Violet Shaw, about 25 years old; has a Blemish in one Eye, carried away with her a white Calico Riding Dress, a strip’d Calico Gown, a claret colour’d Poplin Gown, a strip’d blue and white Holland Gown, a Bengal Gown, and many other value Articles…” Boston Evening Post, 8-1-1774

Well, I’m tall, and far from 25, but thankfully, I am not corpulent. But here are two wool or wool-blend, gowns, in reddish colors, in the right time period and place. Unfortunately, I have not yet found striped, or striped linsey, petticoats in Rhode Island, Connecticut or Massachusetts in 1772-1775—plenty in Philadelphia, where there are more servants running away—so what to do? I’ll look a damn fool without a petticoat.
brown petticoat newport

ShortGown There’s the brown petticoat solution. There is one in Boston (Weston), in August, 1774, and another in Newport, in January, 1773. I like the “brown camblet skirt;” I don’t have camblet, but at least the drape of the lightweight wool and cotton will be closer to camblet than to wool. I can agonize over the suitability of fabrics (and the vagaries of style) in some other post.

I made the gown intending to wear it with a blue and yellow striped as-yet-unmade petticoat (to look like the watercolor), but have some brown wool I can make up instead. Better documented than not (or nude).

Hunting Frocks, Again

They’re not Mr S’s favorite thing, and I can understand why. Hunting frocks lack pizzazz, buttons, tape, lace, lapels, skirts and all the things that make him so fond of the Ugly Dog Coat worn by the 10th Massachusetts in 1782. (I think these are the coats captured from British supply ships and dyed at Newburgh and West Point in tanner’s vats.) But what he has right now is a hunting frock.

Here’s the kid in his new hunting frock, and a hand colored copper engraving by Johann Martin Will from 1776.

You gotta hold your tongue just right when you drill.
Americaner Soldat, Johann Martin Will. Ann S. K. Brown Collection, Brown University.
Americaner Soldat, Johann Martin Will. Ann S. K. Brown Collection, Brown University.

And then there are the colored and plain engravings, “1. Americanischer scharffschütz oder Jäger (rifleman) 2. regulaire infanterie von Pensylvanien,” engraved by Berger after Chodowiecki.

 Library of Congress
Library of Congress
Berger after Chodowiecki, Ann S. K. Brown Military Collection, Brown University
Ann S. K. Brown Collection

I started thinking about these again because not only am I reading Hurst’s thesis, but I’m fresh from helping the guys get dressed and arrange their capes and straps. I have been doing that as long as Mr S has been wearing historic clothing.

Early days of draping
Early days of draping

Drapey capes

The hunting frock drifts if it does not have some kind of fastening at the neck. The two halves migrate in opposite directions, and while belts help, the light infantry bayonet shoulder belt does not contain the hunting frock as well as one might like. So the thing to do, I think, is to attach a loop and button at the neck to hold the garment in place. From the period engravings, I think that’s acceptable. The garments all look as if they are closed at the neck. From the evidence in the field, and from the images, I plan to make loops and attach buttons, and hope that will limit some tendency to wander.

The image of the two soldiers together suggests another wrinkle in the hunting frock quandary, since the left hand soldier’s out garment looks like a long pocket-less coat with applied fringe and only a very small cape at the neck. Thank goodness that soldier is a rifleman, and thus outside the realm of immediate relevance. (And on a side note, I know a gentleman who very much resembles the Pennsylvania infantry man: identical calves, and even a similar face.)

Authenticity: Sources II, or, Stripes!

In any decade, I love stripes.

Stripes. I love them, really, I do. Gowns, petticoats, cats. Why do I want to use them so much?

For the guys, because I can document what they’re wearing, at least based on their current state of residence and their current nominal “home” unit with the BAR.

Here’s why:

1777 Oct 22
An inventory of Searjeant George Babcock’s
Wearing Apparil who was Killed at fort Mercer
Octor 22d 1777 Belonging to Capt Thos Arnold’s Comp’y in Colo Green’s Regemt

Two Check Linen Shirts
one Pair of Striped Linen overalls
one Striped Cotton & linen Jacket without Sleeves
one flannel Jacket without Sleeves
one home spun Woolen Jacket without sleeves
one Linen & Worsted cotee
one Kersey outside Jacket Lined with flannel
one beaver Hat & one Pair of shoes
one Pair of blue worsted stockings
one pair of thread ditto
one pair of blue yarn Stockings
one Linnen Handkerchief
one knapsack

(Clothing inventory, Capt Thos. Arnold, Col. Christopher Greene, Rhode Island Regiment
RIHS MSS 673 SG 2, S1, SSA Box 1 Folder 13)

From RIHS MSS 72, Preserved Pearce papers,  Tailor's and Tavern account books, 1778-1781.
From RIHS MSS 72, Preserved Pearce papers, Tailor’s and Tavern account books, 1778-1781.

This inventory has formed the basis for many of the clothing choices I’ve made for Mr S and the Young Mr from their check linen shirts to their blue stockings. I was criticized for the size of the checks of their linen shirts (too small! I heard), but feel vindicated time and again by the extant garments I’ve found (aprons, mostly) in this period. The checks are small.

The best piece of evidence I found was serendipitous: whilst going through tailor’s books Thursday, looking for stays, I found a scrap of blue and white checked linen used as a binding. The biggest lesson from that scrap is that I need a deeper, more indigo-rich blue and white to begin with.

The “Striped Linen overalls” in the inventory are definitely on the list of things I’d love to make, along with the “Striped Cotton & linen Jacket without Sleeves.”

One of my favorite garments of all time. Boy's frock, ca. 1760-1770. RIHS 1959.6.1
One of my favorite garments of all time. Boy’s frock, ca. 1760-1770. RIHS 1959.6.1

There are extant Rhode Island garments from made of blue striped linen, documented to the period we interpret, and another one, recently acquired (coming soon to a database near you!) from which a pattern has been taken.

After a while, though, blue stockings and checked linen shirts seem…ordinary. Common. You might start to wonder if they’re just another re-enactorism, they’re so ubiquitous.

It’s worth checking again to see that these are, in fact, common garments, probably as prevalent then as they are now.