Forsaken Friday: a love letter from 1800

Once again, I begin to consider What Cheer Day, and, feeling uninspired, I turned to primary sources, thinking that reacquainting myself with the characters might prove useful. Among the documents I read today was this letter written by Carl F. Herrreshoff (late of Prussia, but now in New York) to Miss Sally Brown of Providence.

New York 17th June 1800

I hasten my dear Sally to answer three of your letters, two of which, one by Gideon and one by the mail, I received yesterday. I am glad to know you at your favourite place, and the more so as I am well convinced you will think of your absent friend on visiting those spots where we have been so happy. That moments like those should ever return, I thought it folly to hope until a few weeks since; a little lonely spot, where I would quietly reflect on what is past and love you with a pious resignation, was all I dare to wish for, but my love is too powerful for my reason, one beam of light was sufficient to give another turn to my imagination, and your last letter has compleated it. I begin already to see a chain of melancholy days in my solitude, I begin to think myself entitled to more happyness, what ever reason may say to the contrary; but taught by sad experience, like you my dear Sally, not to anticipate much happyness, I shall guard my heart from being to sanguine.One happyness I am not however determined to enjoy, let the consequences be what they will. I will see you, dear excellent girl, I will hear it confirmed from your lips that your heart is above the caprices of fortune, that it is as constant as my own. But though I feel now as much alacrity to obey your command as ever, it is not in my power to do it immediately. I have fixed to go to Philadelphia for a few days; I shall be as expeditious as possible, and on my return the first packet shall convey me to you. I rely on finding you at Point Pl. for I feel very averse to go to Providence. Ursus is in the same condition with your little mare, and I have sent him to the pasture, but I will try to get another horse.
Think of your promise: let me find you in good health and spirits; as for my own health, though never blooming, it is very strong, it have never been really affected from all my mind has suffered these ten months past, and since I have entertained the prospect of meeting you again, I feel as if there had been a great change in my fortune.
I lament that our pleasure will be chilled by the situation of poor A. Let us be ever so good we cannot escape our share of misery in the world, every one must have his turn.
As for your request regarding H I assure you, that if
I made a confident of him in matters which concerned you, it was of my own sentiments merely.
Adieu my charming little Sally, I expect a letter from you dated from Point Pl. forget not to direct all your letters in future to the care of John Murray & Son. Is Mr Coggeshall’s house still a tavern in Bristol? You shall soon hear again from

Your sincerest friend
Herreshoff

I think it proper to write to your father before I go to Providence, are you not of the same opinion & if I should write from here, before I receive your answer, I shall enclose my letter in yours.

Carl Herreshoff to Sally Brown, 17 June 1800.
MSS 487, Herreshoff-Lewis Family Papers
RIHS Manuscripts Collection

A month after this letter was written, “poor A.” gave birth to her first daughter, Abby Brown Mason, a day after marrying James Brown Mason, the child’s father. It was not until 1801 that Sally Brown married Carl Herreshoff, despite her father’s misgivings. John Brown never really liked his sons-in-law, and given his nickname of “Old Thunder,” you have to wonder how they felt about him.

For me, this letter full of longing and acquiescence to a powerful love, has resonance beyond its years. Distance is easier to overcome today, to a degree, but letters remain a poor substitute for a lover.

Mendy Monday

Best not to be shiftless, so mending was in order. I knew this day would come, and soon, and after doing the post-Genesee wash, the moment had arrived for this shift.

Simple, classic patching. I hadn’t expected to wear a hole in a shift quite this soon, but four years of wear whilst working and sweating have taken their toll.

It’s a toss up, now that it’s mended, as to whether or not I’ll shorten the sleeves. They’re too short for some of my gowns, but fine for others. Ideally, I’d make a second shift for this time period (early Federal) and third for the late 18th century. I’m somewhat concerned because I have taken a notion to make a new dress for Salem, which is just around the corner.

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Now, it’s not this dress– and this may be a pelisse, after all– but I’ve become pretty obsessed with this image, and decided, what with it being summer and all, to finally cave in and make a white cotton gown.

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~thanks to Mrs B for the image~

This is madness, of course, because I am not someone who doesn’t spill on her clothes or happily and recklessly carry strawberry-eating babies. White. Sheer. Really sheer. I don’t know what possessed me, but once I had the idea and the image to inspire me, I could not shake the notion of a white cotton gown for summer. Perhaps the recent heat is to blame: thin, white cotton seemed cool and refreshing. We’ll see how that goes in a little more than a week. Until then, bright light and fine stitches keep me busy.

The Landscapes of Things

Or, you never know where things will end up.

New post, Old post, Cataloger
New post, Old post, Cataloger

You can learn a lot about a place by visiting its antique and junk shops. Here, where the China Trade was A THING, you can practically fall over Chinese export porcelain (and its imitators) of a variety of types every day. It can become a bad habit. You can become an enabler.

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Elsewhere, the objects for sale tell a different story. I’m fond of the haphazard antique malls museum of things world, and while on a tea pot delivery mission to Maryland, went to one in Mount Vernon. It was astonishing.

Mid-century modern furniture, the Arabia Anemone tableware of my childhood, and shelves of geisha dolls, Kabuto, ceramics, and the occasional sword confused me at first until I realized these were probably the jumbled contents of a prior generation of military and civil servants’  homes emptied by their children. The aesthetics were markedly different from what I typically encounter in southeastern New England, where I am accustomed to reading subtle variations between the states I frequent.

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Local variations occurred in Vermont as well, though the general flavor was more familiar.

Some things are universal: chaotic piles of partially-identified snapshots can be found anywhere, stacks of pelts and dog-like foxes, not so much. Origins debatable, ethics questionable, the late mammals tempted the tourist trade in St. Johnsbury, where we stopped as we headed south for home.

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We influence our landscape more than we credit: from changes in the land wrought by farming to climate change to the differences in what we cast off and what we collect, the visible human influence is undeniable. Material culture can be about place as much as it is about thing.

Serious Saturday: Security Concerns

Warning: Museum Content Ahead

Woman Selling Salop. William Henry Pyne. The Costume of Great Britain. 1805.
Woman Selling Salop. William Henry Pyne. The Costume of Great Britain. 1805.

Night watchmen. We’ve been over them before, tangentially, but never in an experienced way. Sure, sleeping overnight at museum sites, I’ve encountered the night watchman making his rounds. And as a museum visitor, I’ve met the guards who monitor how I’m wearing my messenger bag, and how close I get to various works of art.

But what I don’t think about enough, and don’t observe being thought about, is the safety of people over objects. The Museum Security Network has posts on art theft, forgery, and vandalism— all of which are important topics– but there’s a clear focus. For years, decades, that was our focus at work: stuff, buildings, not people.

That changed in our Library five years ago with one obstreperous patron who touched–didn’t hurt, but was angry, and put a hand on– one of our librarians. Now we think about books, papers, and people. But it’s hard: for as long as I’ve worked in this field, and it’s fully half my life, I’ve had the mission drummed into me: access. We preserve these materials, these objects, these sites, for the use and enjoyment of the public, and that means everyone.

The radical democracy of object care (everything we own is preserved with the best care we can provide, from 17th century basket to 21st century advertising hard hat) translated for me into the radical democracy of access: everyone gets in. (It helps that I’ve worked at places where we could provide a lot of free access, and where we continue to strive for as much free access as possible.)

Hades atop the front gate pillar
Hades atop the front gate pillar

Everyone gets in. Everyone can appreciate our shared cultural heritage. And then I met Mr Hades. That’s not his real name, but the young man who has been visiting us at the museum (after coming to the library last summer in a quieter mode) has developed an obsession with Hades. He came in Thursday, asking about the front gates, about Hades being the god of Hell, and whether the gates of hell were in our basement. I’ve heard a lot of myths about our basement, but not that one. After ten minutes, and before we could connect to 911, Mr Hades left.

But he was back yesterday, more erratic than before, sunglasses hiding his wide and striking pale green eyes, ranging through the house from front to back streaming a rap song on his phone. He paid for the tour, but left after 10 minutes in the house. He’s clearly been on a tour before.

So we met two police officers from the local substation, and we know to call them immediately if Mr Hades returns. A little research (that’s what we do) turned up a lot of interesting information about Mr Hades, and we suspect that there are officers and judges and guards who are pretty familiar with him, and that he needs help as much or more than he needs incarceration. But he disturbs our visitors, and agitates the staff, and that’s a bad visitor experience. (Thanks to my anti-anxiety meds, I don’t get anxious; I just get a stomach ache and keep talking with Mr Hades to try to keep him focused.)

But last night, talking about safety and Mr Hades with Drunk Tailor, I realized that we don’t think enough about the security of our staff. We put our visitors and our objects before the staff, and that’s not right. This incident made me put the safety of our staff above that of the objects, but we can’t help our visitors be safe unless we take care of ourselves.

oxygen-mask

If your staff members know their routines, know how to respond and have the tools they need to respond, they’ll be better able to care for and direct visitors to safety. I know we have to shift our thinking and procedures where I am; chances are your procedures are up for their annual review, too. For many of us, the new fiscal year has just begun. What better time for review and changes?