Ironing on Grass

Paul Sandy, The Laundress, 1780. British Museum, 1904,0819.624
Paul Sandy, The Laundress, 1780. British Museum, 1904,0819.624

This print makes me think of Gertrude Stein, “Irons on the grass alas” because I think I would be pretty alas if I were ironing on grass. Still, I’m glad to know that ironing in camp is plausible, because it’s one more thing I can do, though also one more heavy item to pack.

I continue to chase laundry in my spare time, with a Pinterest board of collected images, which will give you a sense of the timeless drudgery of washing clothes. There will be stooping.

A Washerwoman, by John Varley (1778-1842). Tate Britain, T08695
A Washerwoman, by John Varley (1778-1842). Tate Britain, T08695

In this sketch by John Varley, he has helpfully given notes to supplement the lines.

“neckhandkf
spots Drab stays
blue check apron”

The symbol in front of ‘spots’ suggests the neckhandkerchief’s pattern, a dot in a square, much like the ones you can today from Burnley & Trowbridge.  “Drab stays” suggests a very utilitarian pair of wool stays, and that the washerwoman has stripped off her gown or bodice, and is working in shift, stays, and petticoat(s). This seems to be the same woman is in the “Woman with Wash-Tubs” drawing, and I’d guess her hat is straw.

A Scotch Washerwoman. Crayon drawing by Pauil Sandby after 1745. British Museum, Nn,6.61
A Scotch Washerwoman. Crayon drawing by Pauil Sandby after 1745. British Museum, Nn,6.61

There’s a remarkable consistency in the English drawings, though Varney and Sandby are about two decades apart. The tubs, the tools, the stooping: laundry is hard and unglamorous work, Sandby’s Scottish laundress aside. I can guarantee you that the 10th Massachusetts would have to outsource laundry in that style. (In any case, Scotland typified poverty and backwardness for late-eighteenth century Englishmen, so Sandby’s drawing, in addition to being titillating, is perpetuating English stereotypes of Scottish dress and practices and is, thankfully, not a reliable source.)

“Unsuspected Cat”

Squatting plump on an unsuspected cat in your chair!! George Cruikshank [1800]. Lewis Walpole Library, Image ID lwlpr09721 Call Number 800.00.00.176+

The Lewis Walpole Library provides endless amusement, and searching by subject yields some fun. People have had curious relationships with domestic pets for a centuries, and thank goodness cats invented the interwebs so we could get real perspective on this.

Quite aside from the minor domestic comedy of this engraving (I dislike the dark of winter and take my fun where I can), we can learn a lot. The domestic comedy itself helps remind us that while the people of the past saw the world differently, they were as foolish, bawdy and rude (or more so) than we are.

From a material culture perspective, we have (among many things):

  • a geometrically-patterned floor covering, probably a carpet but possibly painted.
  • floor-length curtains
  • looking glasses, paired
  • a slip-covered easy chair, matching the curtains and the cat’s cushion
  • two candles (only two!)
  • glasses with the characteristic straight temple pieces that end in loops
  • a colored open robe over a white muslin petticoat
  • a young gentleman in trousers, an old gentleman in breeches

I can imagine this depicting Emma and Mr Knightley (after their marriage) at home after dinner with her father and their young son: Mr Woodhouse in his nightcap and banyan, reading; Mr Knightley upset by the cat, while the Spaniel barks at the excitement.  All in all, highly satisfying.

Dogs in Coats

[An amazonian dress]. London : Pubd. May 26, 1797, by G.M. Woodward, Berners Street. Lewis Walpole Library Image Number lwlpr08972, Call Number 797.05.26.02
[An amazonian dress]. London : Pubd. May 26, 1797, by G.M. Woodward, Berners Street. Lewis Walpole Library Image Number lwlpr08972, Call Number 797.05.26.02

I was wondering about contrast revers on women’s clothes, and if I could really get away with such a detail on a Spencer, when I happened upon this image on Pinterest. Well found indeed from 1797, and very nice hat as well. Bonus: Giant Muff.

The dog has a coat, too, and now that it’s cold in New England, the local whippets are turning out in their winter coats. Mr S and  I had a slightly crazy notion to dress a dog we know in a canine-scaled replica of a certain very special coat, but would need access to the hound (for measurements) and a particular scrap pile. With those circumstances not in the offing, let’s just be delighted that dogs in 1797 wore coats, and had bows in their topknots, which means that the end of civilization has been coming for a lot longer than previously thought.

Of course it may be that the dog has to dress as a human to keep from being eaten by the ENORMOUS and possibly carnivorous MUFF of DOOM. I think you could make one from the sheepskins at Ikea, if you could settle for white.

HSF # 24: Re-Do (Thank goodness it’s done!)

Shirt, view number one
Shirt, view number one

Like a zombie, I’ve returned to the Historical Sew Fortnightly with an undead shirt. I was working on it in August 2012, and at long last, it is really complete. So I offer it up as the Re-Do for HSF #11: Squares, Rectangles and Triangles, as it has no curves at all. (Well, aside from any wonky cutting I may have done.) It would also work for HSF #15, White, as it is actually white. Things happened in the basket along the way to getting done, and the half-made body had to washed.

The thing about shirts is that they don’t look like much unless they’re well photographed, preferably on a human or a mannequin with arms. I lack the latter, and the former specimens were not worth asking, since they’d been made to work all weekend.

So, some facts are in order. right?

The Challenge: #22, Re-Do. (# 11 and/or #15)

Fabric: White Linen, 5.3 ounce, I think. It was a while ago.

Pattern: This would have been cut from the Kannik’s Korner shirt pattern, though more by using the pieces to mark and measure and make sure I had all the small squares and bits the pattern takes.

Year: 1770-1790, depending. At their class level, the guys can keep wearing this kind of shirt for a long time. (It will be the Young Mr’s.)

Notions: Two thread buttons, one bone button; all three from my strategic reserve as the new selection of thread buttons has vanished (I blame the cat).

How historically accurate is it? Well, let’s give it 75%. It’s all linen, but the selvedges aren’t right, the stitching is variable and the insides are not all finished correctly. Patience, Iago, patience…there will be time for the last felling over whipstitching. I suppose for the common shirt it is, the coarser linen and variable stitching might boost the accuracy a bit. 82% for intentions, points still taken off for knowing what’s wrong with it.

Hours to complete: Freaking endless. I lost count, but in the end, probably five hours to finish button holes, felling, hems, and side gussets. The problem is that it’s repetitive and boring: back stitch, prick stitch, slip stitch, hem, all in straight lines. And this was shirt number three (four is right behind for Mr S) so the thrill’s gone out a bit.

First worn: Rejected in nearly-finished but unhemmed state by the Young Mr at Fort Lee, thoughit would have stayed in his trousers better than his too-small-clothes, he’ll wear this shirt in February at a celebration of Washington’s birthday.

Total cost: $17.74 for the fabric, I forget for the buttons and there’s always thread in the house. Call it $20 all told.