Notes on a Brown Gown

The Brown Gown, which I do actually like
The Brown Gown, which I do actually like

So after twelve hours in it, what do I think? Did I learn anything?

Yes! I need new pins. My friend had some from At The Eastern Door (their website is down today, but you can find them on Facebook) and I’ll be placing an order pronto. The stomacher and the robings do not wish to stay married, they have irreconcilable differences and need space. Space to flash the bodice lining, from what I can tell. I am less and less convinced that working women put up with stomachers and pins on a daily basis, and more convinced that I need to spend time looking at images of working (i.e. moving around, bending, twisting and reaching) women. There must be clues to this. Also, the popularity of closed front gowns makes a lot of very real sense now.

What else? Bonnets are distracting. They’re disorienting, a bit, but hide your face nicely. I have not had the full-on experience described and cautioned about elsewhere, but I will aver that bonnets do disorient you and you must be cautious. Especially around horses and crowds.

Run away! He got garters, too, which helped.

Garters! I was warned about them falling down, and they did, each one, once. The first went down in a wet tunnel (It’s like walking into a whale, Brian said) as some British officers passed. My short-jacketed farm laborer may not be able to maintain my sartorial splendors, you know…but he recovered the garter and I re-tied it. The other slipped down at the National Heritage Museum; both, after retying, remained in place. The first one took 6 hours to come down, so I’d say we did alright.

The mitts worked out well, too, and now have nice grime and grass stains, so they’ll need a little hand washing. It’s time to go back into the stash for another, longer pair, but even the linen blocked the wind and kept me warmer.

Meow! This kitten never loses his mittens.

From the soreness of my ribs, I’d say a new set of stays are in my future. I’m too tired to think about it now, but the soreness makes me realize the boning must not be running in the right direction in the right place now that the size isn’t right (they stretched). But that’s a winter’s project…for now, two paws lazy-way-up for good lessons learned and good, if long, day in Lexington.

After Battle Road

Nooning on the field at Hartwell Tavern
Nooning on the field at Hartwell Tavern

In short: we enjoyed it, and yet we didn’t. Battle Road is the kind of event where those of us who come from Rhode Island and are on the fringes of the organization are not fully integrated into the event. Mr S  fielded in the morning, but the Young Mr could not, again, though he had been told at inspection that something would be found for him to do. He recovered pretty well, but there is a lot of waiting.

So lovely!
So lovely!

I was very grateful to have friends, new members of the Regiment, to chat with while we waited and watched the action. When you can’t participate, it’s fun to pick out your friends in the columns marching past. Sorry, no photos: authenticity standards.

Afterwards, we had lunch, and saw more friends. That gown is a copy of one in the Newport Historical Society. It has robings and front lacing–what an amazing artifact! I would love to get my fingers on the original’s front to find out how many layers there are.

At this point, though, my claustrophobia began to kick in. In the photo of my friend and her daughter you can see tourists taking photos of the Young Mr (by his buttons you shall know him) and Brian Jean of the 2nd Helpings.

The line to see Hartwell Tavern snaked through the yard, and the road was getting full of people, and dogs, and bicycles. We fled.

This is often my view. Good thing I'm tall.
This is often my view if I want space to breathe. Good thing I’m tall.

We slipped up to the MMNHP Visitors Center (flush toilets!) and watched the presentation on April 19, 1775.  When we walked out of the theatre, the ranger said, “Welcome to chaos.”  The Center was packed full of people, all talking, many pushing: we found a way through the crowd and snuck up to the National Heritage Museum (more flush toilets and a Coke machine!), which had a nice map exhibit. I had some ideas at the time about mixing maps and objects in a thematic exhibition, and vaguely, they remain.

I'm usually looking for where the arrow is pointing: The Kid.
I’m usually tracking the animal the arrow is pointing to: The Kid.

Here’s where the not-so-great part started for me. At Tower Park, I got left alone on the public side of the rope line. (We rode up with Brian, so my ‘getting around and doing things’ options were pretty limited.) To be a living exhibition with one other person is good; to be a living exhibition with a normally-dressed companion is bearable; to be alone is annoying.

Hands to yourselves, people, please. Also, those are my friends and family out there on the field, and I would like to see them, too.

I had a moment at Tower Park where I thought, Really, the hell with the public. This kind of reenacting is not for me; I’ll stick to something more personal, something for reenactors/living historians alone. But what I think I really wanted was a friend or a larger zone of personal space–you’d think petticoats and a cloak would help, but they don’t–a way for people to understand No Touching. Also, I like to be able to keep My Kid in view to manage my anxiety levels. Superstitious Mother Tricks…

The Brown Gown, which I do actually like
The Brown Gown, which I do actually like, 12 hours on

I was a lot crankier about it last night, which was probably the result of being rather tired (getting up at 5 to lace yourself into a new gown after a week of insomniac-style sleep and intense work is not how most folks start “vacation”), hungry, and cold (it settled inside my stays mid-morning and I will feel it for a while to come).

Will I do it all again? Yes. Will I try to make better afternoon plans? Yes…though I’m not sure yet what they will be.

To Lexington, Tomorrow

The Battle of Lexington, 1775. Engraving by Ralph Earl. NYPL Digital Library
The Battle of Lexington, 1775. Engraving by Ralph Earl. NYPL Digital Library

We’re as done as we’re going to be. Buttonholes are stitched, the Young Mr’s garters are in process, so the last thing to do would be to replace the green ribbon on my bonnet with black, just because I feel picky and want to change it.

That, and pressing clothes and making lunches.

Mr S completed two hand-sewn market wallets so that the boys can have their own lunches and I do not have to be the walking buttery.

Clara Peeters (fl. 1607–1621) [Public domain], via Wikimedia Commons

On the menu? A Cheshire pork pie or pasties (apple and pork), apples, water, and gingerbread cakes. I may pick up a loaf of bread (I ran out of flour this morning and barely eked out enough for the gingerbread, so rising time is out of the question) and bring some cheese as well. It’s a long day outdoors, and we are likely to be hungry. When my family gets too hungry, we get weird. By the time we are done, I expect to be this tired, so I am considering making Saturday night’s dinner tonight.

The modernized recipes for gingerbread cakes and the pork pie are from the History is Served website, but this week I found a wonderful site from the Westminster City Archives, The Cookbook of Unknown Ladies. Almond puddings are not portable, but they look fun to try.

How Now, Brown Gown?

Finished. Hope it fits, right?

Finished, that’s how, with holes in my fingers and a split in my thumb.

Sure hope it fits…I have tried it on along the way, and it is an open robe, so chances are good it will fit. But after I dressed Cassandra, I did have that “What if…?” moment of dread. There’s a lot of this that’s like art school. Hours laboring alone, hours of studying precedent, craft/technique and theory, and then you have a presentation, i.e. you wear the thing in public. I try not to think about it too much.

I could take this apart for you (the sleeve is more ‘modern’ than the cuff; gowns are not known to have been bound at the hem, though petticoats were; didn’t finish the matching petticoat; did I use the fabric the wrong side out?) but Gentle Reader, I suspect you can supply your own quantity of anxiety, and need not borrow a cup or quart from me.

Let’s talk about the fun parts:

For a while, I hated this gown. Seriously. The closer I got to being done with it, the more I flat-out despised it and found it ugly. Why? Too nice. That’s a respectable gown, that is. It’s the gown your mother would tell you to wear, or the one she thought you ought to change into when she said, “You’re going out in that?” As if you were planning to run away in a red and black calico gown… And I hated the color. Then I thought the wool was too heavy.

Mrs Sylvanus Bourne, JS Copley, 1766. MMA, 24.79

I am not this old. My impression is not this wealthy. My dress is not silk. But when I look at what I’ve managed to make, and I look at this (my own white apron is coming; I almost finished it yesterday, but the alarm company called and I had to go deal with an early-morning bat) I feel better. I have white mitts, a white kerchief, and there will be a white apron, bats or no bats.

It’s a neat presentation, the brown and white will look well together, and with a black hat or black bonnet. And by the time I’ve sat on dirt and ground some soil into the skirt, and burned a hole into the hem, I’ll probably like this gown.

But it seems so…proper…and that just doesn’t seem like me.